Before all, I chose to watch ‘Quai d’Orsay‘ (distributed with the English title ‘The French Minister’) because it is the last film made by Bertrand Tavernier, a director I really appreciate. The presence of Jane Birkin in the cast was an additional reason. (She has a supporting role, with only one scene, but what a scene and what a character!) The surprise was that the film is very different from most of Tavernier‘s other films. At the age of 72, he approached the comedy genre for the first time as a director, with a political satire inspired by a comics book created by a former official of the French diplomatic bureaucracy from the team of the former French foreign minister. Even if the final result is only a partial success, it proves that Tavernier did not consider his career over and continued to search, to invent and – why not? – to have fun.
Arthur, an ambitious young man with rather left-wing political views, is hired (to his own surprise) on the team of France’s right-wing foreign minister. His role is to deal with ‘words’, i.e. to draft the minister’s speeches and press releases. A charismatic and demagogic personality, the minister has surrounded himself with an eclectic team of assistants, with ‘experts’ on geographical areas and political conflicts, somewhat kept in check by his chief of staff, Claude. This is a experienced and sly guy, who tries to limit damage, resolve conflicts and bring order to the work of the ministry and the minister with the help of a strong network of relationships with international coverage. The most important moment of the team activity is the minister’s speech at the UN, which Arthur drafts and rewrites dozens of times, depending on the events that follow each other with dizzying speed.
Most of the film and most of the comic moments are related to the confrontation of the young ‘words expert’ with the bureaucratic machines and the eccentric figures in the ministry team. The characters have the consistency of comic book heroes, the source of inspiration of the script, but the critical approach and political satire are visible. The stakes weren’t too high, as the events that inspired the film were over a decade and two presidential terms in the past. The lead role is played by Raphaël Personnaz, a handsome and talented actor, while the minister is played by Thierry Lhermitte, a formidable theater and film actor. The key role of chief of staff was entrusted to Niels Arestrup. The whole team is playing with pleasure and having a good time and this tonic atmosphere is transmitted to the viewer as well. The ending disappointed me a little, or in any case raised questions for me. The film ends with excerpts from the speech given in 2003 by the then French foreign minister Dominique de Villepin, expressing the position of rejection of the invasion of Iraq adopted by France at the time. A ‘historic’ disc, but why here? Did Tavernier decide to end ‘Quai d’Orsay‘ with a ‘serious’ episode? To delete unfortunately the character of the minister in the film, who otherwise appears a bit demagogic and incompetent? Or maybe it’s still a fine irony, a way of saying that the most crucial events can originate from a chaotic decision-making system? Each viewer who sees the film can decide one way or another.