Tag Archives: French cinema

vaudeville on screen (film: Amoureux de ma femme – Daniel Auteuil, 2018)

I couldn’t resist the temptation to watch a film that brings together such a formidable cast—Gérard Depardieu, Sandrine Kiberlain, and Adriana Ugarte, alongside Daniel Auteuil, who also directs. The screenplay is penned by the successful French playwright and screenwriter Florian … Continue reading →

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Raskolnikov in Paris (film: Pickpocket – Robert Bresson, 1959)

1959 was a year of great changes in French cinema. François Truffaut and Alain Resnais shook up the Cannes Film Festival with ‘The 400 Blows ‘and ‘Hiroshima Mon Amour‘, respectively; Chabrol won the Golden Bear in Berlin with ‘The Cousins‘; … Continue reading →

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the great Catherines (film: Sage femme – Martin Provost, 2017)

The 2017 ‘Sage femme‘ (the title of the English distribution was ‘The Midwife’) by Martin Provost was a pleasant surprise and it is not clear to me why the film was underappreciated at the time by part of the public … Continue reading →

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liaison dangereuse (film: Loulou – Maurice Pialat, 1980)

I had several good reasons for choosing to watch Maurice Pialat‘s 1980 film ‘Lolou‘. Maurice Pialat came late to film directing. He was 43 in 1968 when he made his first feature film. The peak of the French Nouvelle Vague … Continue reading →

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musketeers in love (film: Un éléphant ça trompe énormément – Yves Robert, 1976)

Exactly half a century after its release, the French comedy ‘Un éléphant ça trompe énormément‘, directed by Yves Robert (who also co-wrote the screenplay), was the perfect entertainment for a hot summer day. How can we explain the agelessness of … Continue reading →

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between Luis Buñuel and Wes Anderson (film: Le testament d’Orphée – Jean Cocteau, 1960)

Those who are, like me, admirers of the cinematic style practiced by Wes Anderson in the last decade, of fantasies with a surrealist touch, bringing together on screens formidable casts in stories where reality melts into legends and imagination, will … Continue reading →

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a quality film de papa (film: Les orgueilleux – Yves Allégret & Rafael E. Portas, 1953)

Yves Allégret, the director of the Franco-Mexican co-production ‘Les orgueilleux‘ (known in English distribution as ‘The Proud and the Beautiful’) was in the 1950s one of the preferred target of the critics of future French New Wave filmmakers. He directed … Continue reading →

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dr. Jodie Foster from Paris (film: Vie privée – Rebecca Zlotowski, 2025)

I have always had a healthy dose of distrust in the ‘psy-‘ experts, i.e. psychologists, psychoanalysts or psychiatrists. Call it skepticism or prejudice, the fact is that I have never resorted to their services. The film ‘Vie privée‘ (‘A Private … Continue reading →

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outstanding and controversial cinematic experience in the mid 1930s (film: Kermeze héroïque – Jacques Feyder, 1935)

‘La kermesse héroique‘ (‘Carnival in Flanders’ in the English distribution) was a completely unexpected discovery for me, especially since I knew almost nothing about any of the directors or actors who participated in the production with the exception of Louis … Continue reading →

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Truffaut settling down? (film: Domicile conjugal – François Truffaut, 1970)

‘Domicile conjugal‘ (‘Bed & Board‘ in the English distribution) was made by François Truffaut 11 years after ‘Les quatre cents coups’, one of the three films that launched the ‘Nouvelle Vague’ and changed the direction of French and world cinema. … Continue reading →

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