Tag Archives: black-and-white film

hunters’ island (film: The Most Dangerous Game – Irving Pichel & Ernest B. Schoedsack, 1932)

The 1932 ‘The Most Dangerous Game’ represents an interesting chapter in the history of American cinema—a film that can be considered a precursor to several highly popular genres of adventure, horror, and entertainment movies. Two directors are credited on the … Continue reading →

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life and love in the convenience store (film: Clerks – Kevin Smith, 1994)

One of the significant cinematic phenomena of the 1990s was the success of several independent American films made on very low budgets. These films launched filmmakers who would go on to become household names, well-integrated into the industry, created interesting … Continue reading →

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a piece of life (film: C’mon C’mon – Mike Mills, 2021)

Mike Mills is one of those screenwriters-directors who have a formidable talent for bringing real life, as we know it, to the screen. I noticed this in one of his previous films – ’20th Century Women’ and this opinion was … Continue reading →

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daddy’s romcom (film: The Apartment – Billy Wilder, 1960)

‘The Apartment‘ was made in 1960, a year after director Billy Wilder and his Romania-born co-writer I.A.L. Diamond had made ‘Some Like It Hot’. The success was expected and the film did even better than its predecessor, winning 5 Oscars … Continue reading →

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the other lives of a monster (film: Das Verschwinden des Josef Mengele – Kirill Serebrennikov, 2025)

Director Kirill Serebrennikov is a leading figure in contemporary Russian theater and film, and a man of great talent and courage. His most recent films are both author films and biographies of complex and very different personalities. The composer Tchaikovsky … Continue reading →

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outstanding and controversial cinematic experience in the mid 1930s (film: Kermeze héroïque – Jacques Feyder, 1935)

‘La kermesse héroique‘ (‘Carnival in Flanders’ in the English distribution) was a completely unexpected discovery for me, especially since I knew almost nothing about any of the directors or actors who participated in the production with the exception of Louis … Continue reading →

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The Gassman Show (film: Il Mattatore – Dino Risi, 1960)

Dino Risi‘s 1960 film ‘Il mattatore‘ (or ‘Love and Larceny‘ in the English distribution) belongs to a period in which comedies that were popular with the public and quality films were not disjoint categories. At a time when French cinema … Continue reading →

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the dawn of the Lubitsch world (film: The Marriage Circle – Ernst Lubitsch, 1924)

‘The Marriage Circle‘ from 1924 is one of the first films of Ernst Lubitsch‘s American career. The Berlin-born film director brought to American audiences a style of romantic comedy that he would develop after the advent of sound in talking … Continue reading →

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a strong visual testimony (film: Hiroshima – Hideo Sekigawa, 1953)

It’s been a long time since I’ve seen a film with such a strong visual impact as Hideo Sekigawa‘s ‘Hiroshima‘. I have no hesitation in saying that, at least in my experience, what this Japanese director, whom I didn’t know … Continue reading →

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a remarkable film by a master of theatre (film: Lord of the Flies – Peter Brook, 1963)

Peter Brook was one of the greatest directors in the history of theatre, but he experimented with film in the first half of his career. ‘Lord of the Flies‘ (1963) is his second and last full-fledged venture into the world … Continue reading →

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