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re-watching a masterpiece (film: La Dolce Vita – Frederico Fellini, 1960)

What more can be said or written about Fellini’s ‘La Dolce Vita‘? I included watching this film in the program of an anniversary day and I did not regret a single moment. 66 years after its release and the Palme … Continue reading

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CHANGE.WORLD: De la Proiectul Artemis la Proiectul Hail Mary (și înapoi)

Nu cred că este o prea mare exagerare în a afirma că știința și tehnologia secolului XX au început cu Jules Verne. Scriitorul, poetul și dramaturgul francez a anticipat în romanele sale multe dintre descoperirile și invențiile care aveau să … Continue reading

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between Luis Buñuel and Wes Anderson (film: Le testament d’Orphée – Jean Cocteau, 1960)

Those who are, like me, admirers of the cinematic style practiced by Wes Anderson in the last decade, of fantasies with a surrealist touch, bringing together on screens formidable casts in stories where reality melts into legends and imagination, will … Continue reading

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a polish mother (film: Mama – Or Sinai, 2025)

The fate of economic migrants from the ‘second’ Europe, men and especially women who leave their countries in search of a source of income that will ensure not only their survival but also the future of their family and children, … Continue reading

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CHANGE.WORLD: A patra întâlnire de gradul trei

Steven Spielberg nu mai trebuie să demonstreze nimic pentru a fi considerat unul dintre giganții istoriei cinematografiei. Va împlini 80 de ani în luna decembrie, a regizat 35 de filme de lung metraj în 55 de ani de carieră, a … Continue reading

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passion and improvisation (film: Köln 75 – Ido Fluk, 2025)

The concert that Keith Jarrett gave in Cologne in 1975 is source to one of the most famous recordings in the history of music. I deliberately avoided using the term jazz because Jarrett defined his music at that time as … Continue reading

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each family has its own secrets (film: Per amore di una donna – Guido Chiesa, 2025)

Here is a film that surprised me. For the better. ‘Per amore di una donna‘ (or ‘For the Love of a Woman‘ in English) is a film by an Italian director I didn’t know named Guido Chiesa. I chose to … Continue reading

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a quality film de papa (film: Les orgueilleux – Yves Allégret & Rafael E. Portas, 1953)

Yves Allégret, the director of the Franco-Mexican co-production ‘Les orgueilleux‘ (known in English distribution as ‘The Proud and the Beautiful’) was in the 1950s one of the preferred target of the critics of future French New Wave filmmakers. He directed … Continue reading

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between neorealism and Hollywood

‘Riso amaro‘ (or ‘Bitter Rice’ in the English release) is one of the films that connects the Italian neo-realism of the 1940s in its ‘pure’ form with the great Italian cinema that would emerge from this movement in the following … Continue reading

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simple, powerful, different (film: Backrooms – Kane Parsons, 2026)

Kane Parsons, the creator, director and co-writer of the ‘Backrooms‘, will turn 21 on June 18, which means he won’t be able to legally buy a beer in the United States for a few more weeks to celebrate the success … Continue reading

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