Tag Archives: original script

between Luis Buñuel and Wes Anderson (film: Le testament d’Orphée – Jean Cocteau, 1960)

Posted on July 10, 2026 by admin

Those who are, like me, admirers of the cinematic style practiced by Wes Anderson in the last decade, of fantasies with a surrealist touch, bringing together on screens formidable casts in stories where reality melts into legends and imagination, will … Continue reading →

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a polish mother (film: Mama – Or Sinai, 2025)

Posted on July 8, 2026 by admin

The fate of economic migrants from the ‘second’ Europe, men and especially women who leave their countries in search of a source of income that will ensure not only their survival but also the future of their family and children, … Continue reading →

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passion and improvisation (film: Köln 75 – Ido Fluk, 2025)

Posted on July 3, 2026 by admin

The concert that Keith Jarrett gave in Cologne in 1975 is source to one of the most famous recordings in the history of music. I deliberately avoided using the term jazz because Jarrett defined his music at that time as … Continue reading →

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between neorealism and Hollywood

Posted on June 27, 2026 by admin

‘Riso amaro‘ (or ‘Bitter Rice’ in the English release) is one of the films that connects the Italian neo-realism of the 1940s in its ‘pure’ form with the great Italian cinema that would emerge from this movement in the following … Continue reading →

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irish horror (film: Hokum – Damian McCarthy, 2026)

Posted on May 12, 2026 by admin

It takes a bit of courage, or perhaps audacity, to give the title ‘Hokum‘ to a commercially distributed film. The noun ‘hokum’, which I learned on this occasion, has a few different meanings: it means ‘nonsense’ or ‘just plain nonsense’ … Continue reading →

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wedding and prejudice (film: The Drama – Kristoffer Borgli, 2026)

Posted on May 12, 2026 by admin

‘The Drama‘, the film written and directed by Norwegian Kristoffer Borgli who crossed the Atlantic for several years and is now making films in the United States, combines in a surprising and original way two film genres that are apparently … Continue reading →

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a non-Orwellian film about Orwell (film – Orwell: 2 + 2 = 5 – Raoul Peck, 2025)

Posted on May 7, 2026 by admin

I don’t think George Orwell would have liked the documentary ‘Orwell 2+2=5‘ that Raoul Peck wrote, directed and dedicated to his biography and the relevance of his writings and especially the novel ‘1984’ in today’s world. I saw the documentary … Continue reading →

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the lonely president (film: La grazia – Paolo Sorrentino, 2025)

Posted on April 25, 2026 by admin

‘La grazia‘, the title of Paolo Sorrentino‘s latest film, has been translated into English as ‘Grace‘. The two words, even though they come from a common origin, have different primary meanings in the two languages, Italian and English. In-between these … Continue reading →

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confused and divisive as the world is (film: Eddington – Ari Aster, 2025)

Posted on April 18, 2026 by admin

‘Eddington‘, the fourth film by American director Ari Aster, reminded me in many ways of some of Romanian director Radu Jude’s recent films. Made in 2025, the film looks back at the first half of 2020, a period that seems … Continue reading →

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a horror menu (film: The Menu – Mark Mylod, 2022)

Posted on April 7, 2026 by admin

Food movies lovers are in for a special treat in ‘The Menu‘, the 2022 film by director Mark Mylod. Or, to use the film’s terminology – a very special menu. Food movies have become an extremely popular genre, rivaled perhaps … Continue reading →

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