Tag Archives: French cinema

the best of Deville (film: Le dossier 51 – Michel Deville, 1978)

The best tribute we can pay to a departed filmmaker is to watch or rewatch his films. That’s what I’ve been doing for the past few weeks, since I learned that Michel Deville is no longer with us. In the … Continue reading

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hell is sometimes ‘cool’ (film: Eaux profondes – Michel Deville, 1981)

The American remake was released on screens a year ago. I did not get to watching it yet, and I’m not sure if I will soon. ‘Eaux profondes‘, the 1981 adaptation of the novel ‘Deep Water’ (this is also the … Continue reading

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jail, theatre and life (film: L’innocent – Louis Garrel, 2022)

There is a scene in ‘L’innocent‘, the 2022 film directed by Louis Garrel, that I found extremely strong. Garrel plays the title role and his hero is named Abel, as in all four films written and directed by him so … Continue reading

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return from hell (film: Retour à la vie – 1949)

‘Retour à la vie‘ is a very interesting film from many points of view. Made in 1949 it is one of the first films in the history of cinema (maybe the first?) to bring together several segments made by different … Continue reading

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a thriller to rediscover (film: Un homme à abattre – Philippe Condroyer, 1967)

‘Un homme a abattre‘ (the English distribution title is ‘A Man to Kill‘) is an unjustly forgotten film made in 1967 that deserves to be rediscovered. Its director is Philippe Condroyer, a director who has only three feature films in … Continue reading

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the improbable lover (film: Le mouton enragé – Michel Deville, 1974)

Michel Deville quietly left us and this world a few weeks ago, and his disappearance would have gone unnoticed, for me at least, if some television stations had not marked the sad event by programming some of his films. A … Continue reading

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young and feelingless (film: Jeune et jolie – François Ozon, 2013)

‘Jeune et Jolie‘ (the English distribution title is ‘Young & Beautiful‘), François Ozon‘s 2013 film reminded me of Bunuel’s ‘Belle de Jour’. Both films have fascinating women as heroines. These practice the oldest profession in the world, but do not … Continue reading

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Mata Hari and La Nouvelle Vague (film: Mata Hari, agent H21 – Jean-Louis Richard, 1964)

Cinema’s love story with the character of Mata Hari began only a few years after the execution by shooting squad of the famous spy. When Jeanne Moreau played, in 1964, her role in the film ‘Mata Hari, agent H21‘ directed … Continue reading

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loss and denial (film: Sous le sable – François Ozon, 2000)

‘Sous le sable‘ (English title ‘Under the Sand‘), made in 2000, is one of the films that marked the rise of François Ozon and positioned him as one of the most important French directors of his generation (the new New … Continue reading

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the last Melville (film: Un flic – Jean-Pierre Melville, 1972)

The ‘noir’ films made by Jean-Pierre Melville before ‘Un flic‘ have some visual elements that make them easily recognizable in the landscape of French cinema and many of them share a common theme – friendship. Many of his characters are … Continue reading

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