Tag Archives: French cinema

René Clair vs. Chaplin (film: À nous la liberté – René Clair, 1931)

‘À nous la liberté‘ – René Clair‘s 1931 film – is often mentioned in tandem with Chaplin’s ‘Modern Times’ from 1936. The central theme and anti-capitalist message are shared. In the perspective, the direct filiation is obvious. At the time, … Continue reading

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laughs vs. anguish (film: Un monde merveilleux – Giulio Callegari, 2024)

We live in the midst of collective anxiety created by the dangers of robots and Artificial Intelligence. Jobs are disappearing or are under threat, AI applications and robots are increasingly present in our lives and not only do they threaten … Continue reading

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the Avignon Spirit (film: Avignon – Johann Dionnet, 2025)

‘Avignon‘ (2025) is one of those films that I can’t help but love despite some obvious shortcomings. Johann Dionnet, the film’s director and co-writer of the script, is probably known to you from other French films in which he played … Continue reading

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a fantasy movie in the 1900 Vienna (film: La Ronde – Max Ophüls, 1950)

The year was 1950 and film director Max Ophüls was returning to Europe. He had spent the decade of the 1940s in the United States, where between 1947 and 1949 he had made four films. He was returning to France, … Continue reading

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two men and one woman (film: Après l’amour – Diane Kurys, 1992)

Diane Kurys, the director and co-writer of the film ‘Après l’amour‘ (or ‘Love after Love‘ in the English distribution) is one of the few woman filmmakers who has managed to make a name for herself and build a career and … Continue reading

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a drama with music (film: Mélo – Alain Resnais, 1986)

Melodrama has not always had a negative or ironic connotation. In fact, in the 19th century this theatrical genre was closer to what the etymology of the word indicates, that is, a drama (usually set in a family environment) with … Continue reading

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crime and passion (film: Les innocents aux mains sales – Claude Chabrol, 1975)

They say that to assess the skills of a director, it is good to see not only his best films, but also those that for one reason or another failed with the public or in the eyes of critics. ‘Les … Continue reading

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extreme forms of the struggle of the classes (film: La cérémonie – Claude Chabrol, 1995)

Claude Chabrol‘s ‘La cérémonie‘, adapted from a novel by Ruth Rendell, ends about where Stanley Kubrick’s and Anthony Burgess’ ‘A Clockwork Orange’ begins. The ceremony in the title is a shocking act of violence, and I won’t say more to … Continue reading

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the indiscrete wickedness of the bourgeoisie (film: La rupture – Claude Chabrol, 1970)

Some of the most scathing cinematic critiques of the bourgeoisie and the social order it dominated were created in the years after the student uprisings of 1968. They did not always take the form of explicitly political films, and one … Continue reading

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adventures in Africa (film: L’africain – Philippe de Broca, 1983)

‘L’africain‘ is a film that had all the premises of a great success. It was released in 1983 as a kind of French cinema industry’s response to the trend of action films set in exotic locations generated by the enormous … Continue reading

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