Tag Archives: feminist cinema

two men and one woman (film: Après l’amour – Diane Kurys, 1992)

Diane Kurys, the director and co-writer of the film ‘Après l’amour‘ (or ‘Love after Love‘ in the English distribution) is one of the few woman filmmakers who has managed to make a name for herself and build a career and … Continue reading

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the full Giulietta (film: Giulietta degli spiriti – Frederico Fellini, 1965)

In 1965, the year he filmed and released ‘Giulietta degli spiriti‘, Federico Fellini had long since ended his neorealist period and had made two of his best-known (perhaps even his best) films – ‘La dolce vita’ and ‘8 1/2’. His … Continue reading

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literature as the inner fortress against evil (film: Reading Lolita in Tehran – Eran Riklis, 2024)

Can art in general and literature, specifically, save the world? Or at least make it better? Or at least create for those who love them – creators and consumers – an inner fortress where they can take refuge in times … Continue reading

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the magic of music (film: Boléro – Anne Fontaine, 2024)

‘Boléro‘, Anne Fontaine‘s 2024 film, is a biographical film about a great composer and his most popular creation. It is, of course, about Maurice Ravel and his ‘Boléro’, one of the great hits of classical music, a work about which … Continue reading

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another tango (film: Being Maria – Jessica Palud, 2024)

I looked for (and managed to) see , at the first opportunity ‘Being Maria‘, the film that Jessica Palud directed and co-wrote about the biography of Maria Schneider and how her role in ‘Last Tango in Paris’ influenced her life … Continue reading

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the only true love of Casanova (film: Een Schitterend Gebrek / A Beautiful Imperfection – Micheil van Erp, 2024)

I seldom get the chance to see Dutch films, and that’s one of the reasons I chose to see ‘Een Schitterend Gebrek‘ (2024 – the English title is ‘A Beautiful Imperfection‘). It’s not a 100% Dutch production, but a co-production … Continue reading

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feminist horror (film: The Substance – Coralie Fargeat, 2024)

David Cronenberg and Quentin Tarantino have a heir and her name is Coralie Fargeat. Coralie Fargeat is not afraid to shock. In fact, I think the purpose of her films is to shock. She’s doing it to get attention and … Continue reading

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neorealism meets hiphop (film: C’è ancora domani – Paola Cortellesi, 2023)

‘C’è ancora domani‘ (2023 – English title is ‘There Is Still Tomorrow‘) is a directorial debut but it does not look at all like one. It can be said that it is also an author’s film, because the director is … Continue reading

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life and literature (film: Gemma Bovery – Anne Fontaine, 2014)

‘Gemma Bovery‘, Anne Fontaine‘s 2014 film enchanted me. What could be the cause? The presence in the male lead role of Fabrice Luchini, one of my favorite French actors and possessor of the most perfect diction of anyone who spoke … Continue reading

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the price of love (film: Partir – Catherine Corsini, 2009)

‘Partir‘ (2009) is my first encounter with a film by the French director Catherine Corsini. The impression is mostly positive. Corsini (who is also the main author of the film’s script) seems to me to be a mature filmmaker, master … Continue reading

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