Categories
- animation (8)
- art (82)
- books (280)
- change.world (279)
- documentary (83)
- history (35)
- holidays (47)
- Holocaust (18)
- interviews (1)
- Israel (26)
- jazz (41)
- Jean Velicy (1)
- Lucian-Zeev Herscovici (1)
- memories (8)
- movies (1,179)
- music (23)
- opera (20)
- rock (6)
- Romania (8)
- theatre (46)
- TV (58)
- Uncategorized (86)
Archives
- May 2024 (2)
- April 2024 (27)
- March 2024 (10)
- February 2024 (25)
- January 2024 (31)
- December 2023 (31)
- November 2023 (11)
- October 2023 (13)
- September 2023 (17)
- August 2023 (13)
- July 2023 (17)
- June 2023 (9)
- May 2023 (2)
- April 2023 (21)
- March 2023 (19)
- February 2023 (23)
- January 2023 (21)
- December 2022 (16)
- November 2022 (18)
- October 2022 (4)
- September 2022 (13)
- August 2022 (11)
- July 2022 (10)
- June 2022 (12)
- May 2022 (14)
- April 2022 (13)
- March 2022 (25)
- February 2022 (20)
- January 2022 (23)
- December 2021 (26)
- November 2021 (13)
- October 2021 (14)
- September 2021 (22)
- August 2021 (20)
- July 2021 (13)
- June 2021 (13)
- May 2021 (15)
- April 2021 (18)
- March 2021 (18)
- February 2021 (19)
- January 2021 (24)
- December 2020 (25)
- November 2020 (21)
- October 2020 (23)
- September 2020 (15)
- August 2020 (23)
- July 2020 (25)
- June 2020 (27)
- May 2020 (21)
- April 2020 (19)
- March 2020 (18)
- February 2020 (18)
- January 2020 (22)
- December 2019 (21)
- November 2019 (14)
- October 2019 (19)
- September 2019 (13)
- August 2019 (15)
- July 2019 (10)
- June 2019 (22)
- May 2019 (16)
- April 2019 (26)
- March 2019 (17)
- February 2019 (26)
- January 2019 (24)
- December 2018 (21)
- November 2018 (6)
- October 2018 (8)
- September 2018 (10)
- August 2018 (14)
- July 2018 (9)
- June 2018 (4)
- May 2018 (5)
- April 2018 (7)
- March 2018 (10)
- February 2018 (17)
- January 2018 (21)
- December 2017 (8)
- November 2017 (6)
- October 2017 (11)
- September 2017 (8)
- August 2017 (15)
- July 2017 (6)
- June 2017 (16)
- May 2017 (13)
- April 2017 (17)
- March 2017 (4)
- February 2017 (6)
- January 2017 (11)
- December 2016 (15)
- November 2016 (16)
- October 2016 (9)
- September 2016 (4)
- August 2016 (14)
- July 2016 (1)
- June 2016 (5)
- May 2016 (6)
- April 2016 (1)
- March 2016 (3)
- February 2016 (2)
- January 2016 (5)
- December 2015 (7)
- November 2015 (2)
- October 2015 (11)
- September 2015 (9)
- August 2015 (3)
- July 2015 (1)
- June 2015 (5)
- May 2015 (2)
- April 2015 (5)
- March 2015 (4)
- February 2015 (3)
- January 2015 (3)
- December 2014 (3)
- November 2014 (1)
- October 2014 (11)
- September 2014 (6)
- August 2014 (7)
- July 2014 (2)
- June 2014 (1)
- April 2014 (8)
- March 2014 (5)
- February 2014 (8)
- January 2014 (9)
- December 2013 (15)
- November 2013 (5)
- October 2013 (12)
- September 2013 (10)
- August 2013 (4)
- July 2013 (2)
- June 2013 (12)
- May 2013 (9)
- April 2013 (12)
- March 2013 (10)
- February 2013 (19)
- January 2013 (15)
- December 2012 (20)
- November 2012 (14)
- October 2012 (14)
- September 2012 (23)
- August 2012 (7)
- July 2012 (6)
- June 2012 (4)
- May 2012 (14)
- April 2012 (13)
- March 2012 (6)
- February 2012 (9)
- January 2012 (16)
- December 2011 (19)
- November 2011 (9)
- October 2011 (12)
- September 2011 (21)
- August 2011 (6)
- July 2011 (8)
- June 2011 (16)
- May 2011 (17)
- April 2011 (18)
- March 2011 (20)
- February 2011 (16)
- January 2011 (18)
- December 2010 (16)
- November 2010 (11)
- October 2010 (21)
- September 2010 (12)
- August 2010 (15)
- July 2010 (21)
- June 2010 (24)
- May 2010 (25)
- April 2010 (20)
- March 2010 (21)
- February 2010 (28)
- January 2010 (31)
- December 2009 (16)
Recent Comments
- Fekete Pál Péter on CHANGE.WORLD: Adevărul despre detectoarele de minciuni
- adrian on CHANGE.WORLD: Anatomia Internetului
- Monica Ghet on Carte: Andrei Oişteanu – Sexualitate şi societate
- ”Cineva în orașul ăsta te iubește” – Bel-Esprit on Intersecții literare (carte: Corina Ozon – Cineva în orașul ăsta te iubește)
- Ilias on CHANGE.WORLD: Naționalismul Inteligenței Artificiale
a saga in a cup of espresso (film: Comment je me suis disputé… (ma vie sexuelle) – Arnaud Desplechin, 1996)
The first thing that strikes at the 1996 film directed by Arnaud Desplechin is the title: ‘Comment je me suis dispute … (ma vie sexuelle)’ (or in English ‘My Sex Life… or How I Got Into an Argument). It is … Continue reading →