‘Valley of Love‘, the film written and made in 2015 by Guillaume Nicloux brings Gérard Depardieu and Isabelle Huppert together on screen. These two formidable French actors had never acted together for 35 years in a film. In the meantime they became what the French call ‘sacred monsters’ they are two actors who – as the joke goes – could read the White Pages (if there still was such a thing) and fill the screen with the magic of their presence. On top of that, the story in the film takes place in Nevada, in the very special place which is Death Valley, a place where spectacular scenery and unique natural and physical phenomena meet, a place that has already fascinated many filmmakers (as an example – do you remember Antonioni‘s ‘Zabriskie Point‘?). Nicloux takes the two French heroes of his film right here, this is where he stages his strange and melancholic story. The result of these fascinating premises is a little less than the sum of the promises, but I believe that I’ve already mentioned enough reasons why ‘Valley of Love‘ is a film that should not be ignored.
Isabelle (Huppert and Gerard (Depardieu) are a couple of actors, once in love, once married, separated for a long time. They had time to rebuild their lives, to start other families, other children were born. Their son, Michael, committed suicide six months before, and left a letter to each of them, with precise directions for them to reunite, spend a week together in the Death Valley, Nevada, and be every day, at precise times, in one of the spectacular places accompanied by legends of the desert, with the promise of his reappearance in one of these places. The week spent together is an opportunity for the two ex-husbands and lovers to find each other and themselves, to face the passage of time, the feelings for each other that have not completely disappeared at the breakup, and especially with guilt of not having able to ensure the self-confidence and life fulfilment of the child conceived together. The two feel permanently alien to the places, not only because of the extreme climate, and not only because they are French dealing with the Americanisms around them (including the intrusion of more or less desired admirers) but also because they do not resonate with the magnetism of the places. When the fantastic appears, they are overwhelmed.
The two formidable actors combine elements of their own biographies, and the impression the film left on me is that Guillaume Nicloux left them a considerable margin of freedom, including adding from their own experiences. Definitely the plot is quite thin and what gives consistency and colour to the film is the way Isabelle and Gerard interact with each other and with those around them. The scenes that contain the small cultural conflicts are funny and provide a necessary comic counterpoint, without which the general atmosphere would have been, I think, too gloomy. The final part includes a surprise and an opening to fantastic, many will probably like it but certainly not all. ‘Valley of Love‘ is a French film set in the American desert, but the location is not accidental and plays an important role in the dynamics of the film’s narrative and aesthetics. Viewers with a preference for European films have a much better chance of liking this film.