Tag Archives: Romanian cinema

3 days, 3 one-shots, 1 telenovela (film: 3 zile în Septembrie – Tudor Giurgiu, 2026)

I am fascinated by films that employ the ‘one-shot’ technique. A select few—very few—of them are, in my opinion, masterpieces. These are films that combine technical expertise, flawless coordination, complex logistics, and actor dedication with a story where the technical … Continue reading →

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clash of cultures (film: Fjord – Cristian Mungiu, 2026)

Cristian Mungiu does not shy away from bringing complex and controversial phenomena and events to the screen. He did so in ‘4 Months, 3 Weeks and 2 Days‘—the film that launched his international career and earned him his first Palme … Continue reading →

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the chronicle of a failure in the Balkans (film: Sorella di Clausura – Ivana Mladenovic, 2025)

Ivana Mladenovic, the director of the film ‘Sorella din Clausura‘ (‘Cloistered Sister‘ in the English distribution), was born in Serbia, but studied theater and film in Romania, where her four feature films to date have been made. The film’s title, … Continue reading →

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a farce in the mountains (film: Catane – Ioana Mischie, 2025)

The poster, the credits and the promotional campaign for ‘Catane‘ (2025) insist on emphasizing the fact that it is a feature-length debut film. I don’t know exactly why the director and screenwriter Ioana Mischie, together with the producers, insist on … Continue reading →

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truth and beauty (film: Cravata galbenă / The Yellow Tie – Serge Ioan Celebidachi, 2025)

I confess that I was a little afraid to watch ‘The Yellow Tie‘, the film by Serge Ioan Celebidachi. Writing a biography or making a biographical film about one’s own father, a dominant personality not only in his field but … Continue reading →

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the world as seen by Maria (film: Dinți de lapte – Mihai Mincan, 2025)

‘Dinți de lapte‘ (‘Milk Teeth‘) is, in its way, a unique film. It is the second auteur film (written and directed) by Mihai Mincan and made as a co-production with international financing and participation. This time, unlike his debut film, … Continue reading →

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a family documentary (film: O familie aproape perfecta – Tudor Platon, 2024)

Tudor Platon is part of the select club of filmmakers who seem to have spent their childhood with a camera in their hands, and who thus had the opportunity very early on to film the world and the people around … Continue reading →

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the two hemispheres of Europe (film: Jaful secolului – Teodora Mihai, 2024)

Films about migrations, emigrants and immigrants are an important genre in world cinema, but not in Romanian cinema. ‘Jaful secolului‘ a.k.a. ‘The Heist of the Century‘ (which also circulates worldwide with the alternative titles ‘Traffic‘ and ‘Rheostat‘) has as its … Continue reading →

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another poignant family docu-drama by Radu Ciorniciuc (documentary: Tata – Radu Ciorniciuc & Lina Vdovii, 2024)

‘Tata‘ (2024) is the second film by director Radu Ciorniciuc after ‘Acasă, My Home’ in which he builds an entire cinematic universe starting from a special life story. Material that for many other filmmakers would result in a film exposed … Continue reading →

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flesh and soul of a great composer (film: Enescu, jupuit de viu – Toma Enache, 2024)

Romanian cinema seems to feel uncomfortable with George Enescu, the most important Romanian composer and one of the most appreciated musicians of the 20th century. Violinist, conductor, educator, but above all composer, who in addition to a few hits (especially … Continue reading →

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