Tag Archives: Nathalie Baye

testing the limits (film: La dernière femme – Marco Ferreri, 1976)

Before Lars von Trier (the ‘bad’ one – the one who directed ‘Antichrist’ and ‘Nymphomaniac’) there was Marco Ferreri. In 1976, when he made ‘La dernière femme‘, the Italian screenwriter and director had wowed bourgeois audiences (and the members of … Continue reading

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love and real estate (film: Mado – Claude Sautet, 1976)

The most memorable scene in ‘Mado‘, the 1976 film made by Claude Sautet stars Michel Piccoli and Romy Schneider. Piccoli is Simon Leotard, the main hero of the film, a real estate businessman past his early youth and after two … Continue reading

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Depardieu and Baye meet at the peak (film: Rive droite, rive gauche – Philippe Labro, 1984)

‘Rive droite, rive gauche‘ (1984) is the last of the 9 films in the career of director Philippe Labro. I don’t know exactly why Labro, who had been a friend and film disciple of Jean-Pierre Melville, concluded his directing career … Continue reading

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sitcom with Amelie / Emilie (film: De vrais mensonges – Audrey Tautou, 2010)

What could the director of a romantic comedy in 2010 wish more than to have in the cast Nathalie Baye and Audrey Tautou in the roles of a mother and a daughter entangled in a love intrigue that has as … Continue reading

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the discrete horror of the bourgeoisie (Film: La Fleur du Mal – Claude Chabrol, 2003)

‘La fleur du mal‘ (English title ‘The Flower of Evil‘) made in 2003 by Claude Chabrol opens with a fairly long frame in which the camera takes us from the ground floor to the second floor of a bourgeois villa … Continue reading

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on the two shores of the lake (Film: Moka – Emmanuelle Devos, 2016)

Lake Lehman and the surrounding mountains are an extremely suitable landscape for the genre of psychological thrillers. The calm and glacial beauty of the places always seems to hide a threatening subtext, just as the impeccable politeness of the locals … Continue reading

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bad people in love (Film: La Balance – Bob Swaim, 1982)

‘La Balance‘, released on screen in 1982, directed by Bob Swaim, an American with a long love affair with the French cinema, is a very modern movie. What is the secret? The story takes place on the streets of Paris, … Continue reading

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