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Tag Archives: film noir
not only for Romy and Jean-Louis (film: Le combat dans l’île – Alain Cavalier, 1962)
The long goodbye that we are taking from Jean-Louis Trintignant gave us the opportunity to see some of his most famous films but also a few lesser known ones. The latter category includes ‘Le Combat dans l’île‘, the feature film … Continue reading
early Coen brothers’ great ‘noir’ movie (film: Miller’s Crossing – Joel Coen, 1990)
A black hat rolls pushed by the wind into a forest in the scene that opens ‘Miller’s Crossing‘, the 1990 film by the Coen brothers (officially only Joel is credited with directing). It is the first of several hats to … Continue reading
film noir and dark politics (film: Un condé – Yves Boisset, 1970)
Yves Boisset is not one of the famous French directors, which amplifies for me the (pleasant) surprise of watching his 1970 film ‘Un condé‘ (‘The Cop‘). The director, who had been Jean-Pierre Melville‘s assistant, among others, demonstrates here that he … Continue reading
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Tagged film noir, French cinema, Michel Bouquet, Michel Constantin, political cinema, The Cop, Un condé, Yves Boisset
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magic and quackery (film: Nightmare Alley – Guillermo del Torro, 2021)
Bradley Cooper is fascinating in ‘Nightmare Alley‘, Guillermo del Toro‘s film, a screen adaptation of a 1946 novel by William Lindsay Gresham and a remake of a 1947 film. The actor who made his name in roles in good-feeling movies … Continue reading
the godfather of heist movies and of many other (film: Du rififi chez les hommes – Jules Dassin, 1955)
Francois Truffaut called ‘Du rififi chez les hommes‘ (or simply ‘Rififi‘) the best French film noir, hastening to add that it is based on the worst French noir novel (written by August Le Breton). The film is adapted and directed … Continue reading
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Tagged Auguste Le Breton, Du rififi chez les hommes, film noir, French cinema, Jean Servais, Jules Dassin, Rififi, Robert Hossein
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between naturalistic and noir thriller (film: Thérèse Raquin – Marcel Carné, 1953)
‘Thérèse Raquin‘ (1953) (English title – ‘The Adultress‘) is Marcel Carné‘s third post-Prévert film. Connoisseur film fans consider it his latest remarkable film. It was produced by the famous Hakim brothers. Even though Jacques Prévert no longer wrote his screenplays … Continue reading
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Tagged film based on a novel, film noir, French cinema, Marcel Carné, SImone Signoret, Sylvie, Thérèse Raquin, thriller
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a mother searching for her son (film: Changeling – Clint Eastwood, 2008)
I hesitated quite a bit before deciding to dedicate 2 hours and 20 minutes of my time to watching Clint Eastwood‘s 2008 movie ‘Changeling‘. One of the reasons is Clint himself, I’m not one of his enthusiastic fans, and every … Continue reading
on the tracks of The Godfather (film: 22 Bullets – Richard Berry, 2010)
22 bullets were fired in a parking lot in Marseille in the body of Charly Mattei, a retired gangster. And yet, he survived. Revenge seems inevitable. This is the starting point of the film ‘22 Bullets‘ (the original French title … Continue reading
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Tagged 22 Bullets, film noir, French cinema, Jean Reno, Kad Merad, L'immortel, Marina Fois, Richard Berry
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the loves of the pianist (film: Tirez sur le pianiste – François Truffaut, 1960)
Made in 1960, ‘Tirez sur le pianiste‘ (the English title is ‘Shoot the Piano Player‘) is François Truffaut‘s second film, released after his formidable debut with ‘Les quatre cent coups‘. The main source of inspiration here is the genre of … Continue reading
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Tagged Charles Aznavour, film noir, Francois Truffaut, French cinema, La Nouvelle Vague, Marie Dubois
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