The ‘Grande Finale’ of the Champions League

The scene is all set for a great end of the European football season.

source http://www.uefa.com/uefachampionsleague/final/stadium/index.html

The arena is one of the greatest stadiums in the history of the sport, renovated a few years ago.

The teams are probably the best two teams in Europe this year.

http://www.youtube.com/watch?v=KjSFVd5m2BQ

(video source TheCrustyAss)

On one side we have Manchester United – the club that dominated the last half of the century in the country of birth of the game. Under manager Alex Ferguson they have won every important title in the last decade, and they seem to be fighting only with their own glory and place in the history. Their offensive star Wayne Rooney overcame a period of eclipse and became again the amazing striker he can be, pocketing also an amazing contract during the season.

(video source LMProductions10)

On the other side we have Barcelona, the winner this year as in most of the previous years of the traditional rivalry with Real Madrid in Spain. Manager Pep Guardiola is one generation younger than Ferguson, but his name is as identified with his club as is the Scott’s name with United. The Catalan club overcame a financial crisis this year to achieve a splendid season, and their star Lionel Messi has already entered the gallery of the best players in the history of the game, and he is not yet 24.

I dare not make any prognostic, games at this level can end with any result, and I only wish that the match this evening will be at the height of the expectations.

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Graduation Ceremony at IDC Herzlya

I am no fan of ceremonies and speeches. The one yesterday was however one that I would not miss as the Interdisciplinary Center (IDC) in Herzlya celebrated its 2010-2011 graduates. And two of the speeches at the rather long ceremony said things that really interested me and I will share them here.

Professor Uriel Reichman spoke about the history of the college that he founded in 1994. It’s a private college and no funding comes from the state budget. (for full disclosure the taxes we paid were approximately the double we would have paid in a state university). 1400 students graduated this year in one of the six schools specialized in law, computer sciences, business, economics, government and diplomacy, psychology. About a quarter of them come from other countries and more than half of those in the generation that graduated this year chose to make alyah and build their life in Israel. Approximately ten percent of the students who are coming from weaker economic families benefit from scholarships covering their studies. Combining the theoretic studies with the practical applications, encouraging free and independent thinking, creativity and personal initiative the college is today the best or among the best in all the fields it educates the students. I would add that the fact that the college is located in Herzlya transformed the city in many ways – some good, other like the increase in the cost of lodging not that good – but certainly they inject energy in the life of this northern neighbor of Tel Aviv.

The second speaker who impressed me was the head of the students union. I was expecting one of these speeches full of thanks for the professors, memories of the good time spent together and promises to meet in 10, 20 and 50 years. These were not completely absent, but there was also something else. The guy, towards his 30s, a man who like many other learned, worked, and went to the army service during his studies had his first daughter born a few weeks ago in the very hour when Israel transits from Memorial Day to Independence Day. He shared with the audience the feelings and wishes for his daughter – the dream to see her grow in a Jewish and democratic country, a homeland where any Jew can come at any time he decides to return and live in his country and where non-Jewish citizens can live their lives in full and equal rights, a country with recognized and safe borders, a country that is proud of what its citizens have achieved and standing in deeds by its moral principles, a country inspired by its history and tradition but where any man and woman can walk, dress and behave as they wish without interfering or imposing on the way other walk, dress and behave. A beautiful dream yet to become true that the graduates of this year will need to wok hard and sometimes fight to achieve.

And yes, I am the proud father of a BA graduate in Computer Sciences. Congratulations, son!

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Do gods get old? (Bob Dylan at 70)

Do gods get old? Can gods get old? They probably cannot, it’s just us. They remain forever young (yes, this is a song title!) and when we count the passing of their years actually we count the passing of ours.

source last.fm

Today Bob Bylan turned 70. Bob Dylan the human, Bob Dylan the young boy from Minnesota who was dreaming to become a second Little Richard, who came to New York and sang in the Greenwich Village clubs, engaged in the protest movement of the 60s and became the icon of his generation, who almost never stopped during the last five decades to be a great poet, a great musician, a great conscience.

http://www.youtube.com/watch?v=_zY_cM0_6vA

(video source ZIRROW035)

The impact that Bob Dylan’s music had on me and on many other young people who spent their best years on the bad side of the Iron Courtain was in many ways the same and in many ways different than the one it had on our colleagues of generation in the US or Western Europe. While the crowds were gathering at festivals in Newport or at the Isle of Wight (Dylan did not do Woodstock) and young people were protesting in the streets against the Vietnam war with his songs in mind, we were listening near the radio sets to the legendary DJ Cornel Chiriac’s broadcasts from Radio Free Europe where Cornel was telling us about the festivals or about the meeting of Dylan with Woodie Guthrie – his mentor in the young days. The most important thing is that from the ‘Metronom’ broadcasts we could hear his music and songs like ‘Blowing in the Wind’, ‘The Times they are a-Changin’ or ‘Like a Rolling Stone’ had a very different meaning and message that I am not sure that Dylan himself was ever aware.

Happy Birthday, Bob Dylan!

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‘The Human Scale’ in Tel Aviv

It is a remarkable coincidence that ‘The Human Scale’ written and acted on stage by the Pulitzer winner journalist Lawrence Wright from The New Yorker and brought to stage by director Oskar Eustis for the New York Public Theater was brought to Israel (at the Cameri Theater) exactly during these days when the Middle East is going through fast changes and when maybe the fate of the Israeli soldier Gilad Shalit, a prisoner of Hamas for almost five years may hopefully be favorable solved. Wright starts his text from the fate of this soldier, and broadens the perspective to a discussion of what has been happening in Gaza and Israel in the last decade, getting back even to earlier stages of the conflict that impacts the region and the whole world for such a long time.

source http://www.publictheater.org/component/option,com_shows/task,view/Itemid,141/id,1013

It is difficult to characterize ‘The Human Scale’ as a theater play, it is more like a multimedia-supported lecture in the origins of the conflict in the Middle East and its political and human dimensions. It is written for American audiences, and these certainly have a different degree of familiarity and a different perspective than the Israeli ones. It is no entertainment, and yet both in New York (see the chronicle in The New York Times) and in Tel Aviv the audiences gave up a regular theater evening to come and listen and see, be informed and provoked on a political subject. For me as a local attendee there were no news in the information that the play brought, yet there was no dull moment either on the stage for the whole evening and hearing the perspective of the conflict seen and told once from the outside was refreshing.

(video source ThePublicTheater)

Presenting the play for Israeli (and later for Palestinian) audiences involves risks that the author and organizers of the tour were certainly aware. Despite the good intentions and the wide experience of the journalist, simplifications and errors could not be avoided. I will not list the things that enervated me, because I am sure that almost any local participant at the performance found a few of his own, whatever part of the conflict he is. The devil is in the details, and the complex situation in the area has many details and many devils. Overall the message however passed, and the thinking process about the value of human life and about the mirroring of the enemy in the behavior of each one of the parties in this long and painful conflict was triggered. The play asked some of the right and painful questions. I did not expect to hear answers here.

If the intent of the authors was to ask painful questions and generate debate, one such opportunity could have happened when at the end of the play last evening the audience was invited to stay for a panel discussion followed by a Q & A. Invited to the panel were the author / lecturer / actor Lawrence Wright and the director Oskar Eustis, and also an Israeli human rights activist, and Israel Harel, a founder of the settlers Gush Emunim movement and once a head of the Council of Jewish Communities in Judea, Samaria and Gaza. Unfortunately the moderator after letting the American guests say more or less what was expected from them to say, and the Israeli invitees on stage recite their gospels from the two sides of the Israeli political debate left too little time for the public and the real debate to happen, maybe becoming concerned when the questions from the audience became sharper and more direct than his own ones. True, the debate could have lasted the whole night and I am not sure that anybody would have moved one inch from his beliefs. The consolation is that such debates do not really need external catalyzers, as interesting as this event coming from New York because of the  different perspective, and they happen on daily basis in most of the Israeli press, media or in the street.

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Bilbao Snapshots

I spent last week a few days in Bilbao, my first time in this city. It was a business trip, and I had only a few hours to spare which I tried to use at best in order to get at least a taste of what is an interesting and beautiful city in an area of Europe which is certainly worth a longer trip and a vacation, to know and enjoy it. I hope to be back some day.

The first meeting with the city is with the airport designed by the famous Valencian architect Santiago Calatrava. It’s a doubled wing like structure, quite impressive seen for distance, less in the interior.

The city is a real playground of some of the world’s most famous architects. Since the 1980s the Basque Country is governed by an autonomous government which embarked in ambitious plans that changed the region and the city of Bilbao from a rusty industrial town to a vibrant European point of attraction for hi-tech and business, for art and international events. Here is the hotel where I stayed, the Melia (former Sheraton) designed by Mexican architect Ricardo Leggorreta.

From the hotel room I could see what is one of the characteristics of the city – the melding of old and new construction, the careful urban design and the insertion of modern art (especially sculptures) in one integral vision.

The next morning was Sunday and I used a few hours before the start of the convention to walk the area and reach the landmark of the city – the Guggenheim Museum Bilbao. The area was a former harbor terrain, by the river which is actually an estuary bringing ships from the Atlantic, an area which in the 70s had fallen in decay. It was redesigned and brought back in the circuit of the city life. The most recent Master Plan which gave the whole environment its look of today belongs to the Iraqi-born architect Zaha Hadid and was started in 2004. In the picture you can see one of the example of the renovation and recovery of the past periods in the history and architecture of Bilbao with the Universidad Literaria de Deusto, built in 1886-1887, the largest building in the 19th century Bilbao, designed by an architect with remarkable classic works in Madrid – Francisco de Cubas.

The newest addition is the Torre Iberdrolla 165 meters, a 41 stores office building designed by Argentinian architect Cesar Pelli.

Near-by the less daring by yet very interesting Biblioteca de la Universidad de Deusto – Rafael Moneo Vales, with slightly irregular lines, combining roundness and angles.

And then, I turned the river bend and I saw – one of these buildings I read so much about, I expected to see and visit for many years – Frank Gehry’s Guggenheim Bilbao. It is impressing and I loved it, with the external titanium cover absorbing and reflecting light and colors from the sky and the city and integrating its folded surfaces into the landscape around.

I walked around it – one of the best views can be taken from the nearby bridge with the proenade on the water guarded by the out-of-this-world sculpture ‘Maman’ by Louis Bourgeois.

Huge and yet sweet and familiar Jeff Koon’s ‘Puppy’ guards the entrance to the museum.

source http://commons.wikimedia.org/wiki/File:Guggenheim_Museum_interior,_Bilbao,_July_2010_%2804%29.JPG

The space inside reminds to some extent the spiral structure of the Guggenheim in Manhattan. The feeling that the museum building is as much an object of art and an objective of the architect as the works of art that are being hosted by the museum cannot be escaped.

sourcehttp://www9.georgetown.edu/faculty/irvinem/visualarts/museums/NYT-StateofGuggenheim-Magazine-06-30-02.html

One of the permanent installments is Richard Serra’s ‘The Matter of Time’ – a series of labyrinths, walls and passages, made of the rusty iron materials that made the ships in the docks that formerly occupied the place where the museum is now located.

Balthus - 'The Street' - source http://www.guggenheim-bilbao.es/secciones/programacion_artistica/nombre_exposicion_imagenes.php?idioma=en&id_exposicion=138#activas

Two temporary exhibitions were open last Sunday. The one I spent most of the time (and which was closing that day) was ‘Chaos and Classicism: art in France, Italy, Germany and Spain, 1918-1936’, which started with a selection of Otto Dix’s sketches from the battlefields or representing the human aftermath of the First World War and ends with monumental Fascist dedicated to Mussolini or the preferred paintings hanging in one of Adolf Hitler’s offices. It was a very intriguing review of the other facet of the art between the two world wars, the one that opposed the innovation of the avangarde (although some of the surrealist and cubist artists also played with the concept).

(video source efeinternational)

The second, still open is ‘The Luminous Interval: The D. Daskalopoulous Collection’ – mix of large scale installments of contemporary art, of various tastes and trends – so I liked some more, some less.

Mona Hatoum’s ‘Current Disturbance’ which I had seen last year at the Israel Museum in Jerusalem was one of the works exposed – actually the first one just near the entrance as I entered the museum.

The audio-guide is very informative and included in the ticket price.

THE Euskalduna Conference Centre and Concert Hall designed by architects Federico Soriano and Dolores Palacios on the site of the former Euskalduna Shipyard was the building that hosted the W3C standard meeting which I came for in Bilbao.

I had little time for the rest of the week. One evening I went out for a short walk to the center of the city and I took a few photos. here is how the city looks, combining churches and classical 19th century buildings with modern additions.

Another visual element are the metro entries named by the locals forestitos. In 1988 the city opened a bid for the design of the metro stations which was won by British architect Norman Foster.

The last day I used a couple of free hours to visit the Museum of Fine Arts located in the Dona Casilda Park – another combination of an old building with modern extensions, with a work by Serra in front of it. The permanent collection offers a solid path through the history of the local and European art.

source http://www.museobilbao.com/in/exposiciones/matta-1911-2011-164

I had much too little time for the two temporary exhibitions in the museum. One was dedicated to the centenary of the birth of Chilean artist Roberto Matta – creator of monumental art, inventor of imaginary words worth exploring.

(video source LookingForArsMundi)

The second belongs to local artist Daniel Tamayo.

Posted in art, museums, travel | Tagged , , , , , | Leave a comment

Mariana Gott-Shmilovitch – Rusia, aprilie 2011 (partea I) – Sankt Peterburg si imprejurimi

Continui seria notelor de calatorie ale prietenilor mei care au ajuns in locuri la care eu deocamdata doar visez sa ajung cu insemnarile de calatorie (ea le numeste ‘note personale’) ale Marianei Gott-Shmilovitch care in aprilie a facut o calatorie in Sankt Peterburg si Moscova, calatorie la care noi din diverse motive nu ne-am putut alatura. Merita de ‘rasfoit’ si albumul de fotografii de la Picassa, pe blog am preluat doar cateva dintre fotografii.

———-

Aceste randuri nu se vor nici ghid turistic si nici reportaj. Le-as defini ‘impresii’, daca nu as fi citit diferite  texte descrise impropriu ca ‘impresii de calatorie’, care constituiau efectiv doar o (suplimentara?) documentatie despre locurile vizitate. Randurile de mai jos (si cele ce vor urma) sunt doar niste note personale scrise in fuga, nici macar nu indraznesc sa le numesc ‘Note de calatorie’. Caci sunt de fapt simple note de ‘senzatii’…

In noaptea in care am facut cunostinta cu Sankt Peterburg (in ruseste fara ‘s’, ca nu e ‘al lui Petru’, ni s-a explicat, ci orasul Sfantul Petru) n-am vazut, recunosc, din goana autocarului de la aeroport spre hotel, orasul denumit si ‘Venetia Nordului’. Am vazut doar strazi largi, cladiri impunatoare, unele statui (Lenin-ul obisnuit cu mana intinsa si sapcuta-i in mana… nu citisem oare ca toate statuile lui au fost daramate?) si blocuri ‘comuniste’… Si noapte. Mult intuneric.
La lumina (innourat-cenusie) a primei zile de plimbare prin oras, m-am indragostit. Iar. Si fara a stabili o ordine de prioritati in lista oraselor pe care le iubesc, St.Peterburg ocupa un loc de frunte.

Un ‘nu stiu ce’, atmosfera, canalele ‘venetiene’, istoria care tasneste din orice colt, spectacolul de folclor, Neva, catedralele, Petru I si Caterina II-a (cei Mari) si… Ermitajul si ‘Lacul lebedelor’ in aceeasi zi, ultima zi a sejurului meu acolo, acea zi pe care n-o pot uita!

Cine poate rezista unei asemenea combinatii?


Dar sa le iau pe rand, iar cine are timp (si chef) poate rasfoi cele peste 200 de poze din albumul al carui link e atasat la sfarsitul textului * (asta dupa ce am redus mai mult de jumatate din fotografiile facute aproape fara discernamant in cele trei zile petrecute in acest oras), poze ce vor sa determine privitorii sa calatoreasca parca cu noi, pas cu pas.
Pe rand, deci… in ordinea cronologica a vizitei mele, caci nu vreau sa concurez Wikipedia, iar informatii despre populatie, economie, istoria orasului le veti gasi in mod foarte satisfacator la http://en.wikipedia.org/wiki/Saint_Petersburg , cel putin.

Inainte de toate, insa, nu pot sa nu amintesc si eu ca orasul (‘Leningrad’ il numesc aproape toti locuitorii cu care s-a intamplat sa vorbesc, de altfel regiunea din care face parte se numeste si astazi Leningrad) este asezat in delta raului Neva, include cateva insule (hotelul nostru era situat pe cea mai mare dintre ele, insula Vasilievski) si are parte, dupa cum se stie, de cateva luni (mai, iunie, iulie) de ‘nopti albe’, fiind situat langa Cercul Polar de nord. In aprilie nu au fost nopti albe, dar seara, la orele 21 era inca amurg, turul monumentelor luminate noaptea noi facandu-l de-abia dupa orele 22-23.

Fortareata “Petru si Paul” cu care am inceput vizita, dupa hoinareala pe unul dintre malurile Nevei admirand imaginile orasului impozant, nu impresioneaza in mod deosebit la prima vedere.

A fost  construita in scop de aparare, dar a fost folosita ca inchisoare politica inca de pe vremea tzarilor, iar cladirile colorate (galben si roz puternic), stradutele si piata mi-au amintit de castelul din Praga. Insa biserica ‘Petru si Paul’, din centrul fortaretei, schimba total atmosfera sobra. Nu mare, dar bogata in ornamente, nu impunatoare dar adapostind mormintele lui Petru cel Mare, al Caterinei I, sotia sa, al fiicei Elisabeth, al nepotului (de la alta fiica) Petru III si al sotiei sale, celebra Caterina II-a (cea Mare), constituie o bucatica de istorie, descoperita prin povestirile competentului nostru ghid. De altfel, din diferite locuri, din diferite puncte de vedere, ghidul s-a reintors, iar si iar, la dinastia tzarilor, astfel incat era imposibil sa nu retii interesantele informatii.

De la istoria lui Petru cel Mare (care construise orasul timp de vreo 10 ani la inceputul secolului 18 si in timpul acestei constructii au murit 100.000 oameni, da, o suta de mii!) am trecut brusc, facand o mica paranteza, la perioada revolutiei din 1917, vizitand apoi crucisatorul Aurora, ancorat pe Neva si inconjurat de zeci de dughene de ‘amintiri’, care mai de care specifice primului razboi mondial sau revolutiei bolsevice. Lovitura de tun de pe acest vas mi-o aminteam ca simbolica, dar inghesuiala zecilor de turisti care urca la bord m-a oprit s-o fac si eu, multumindu-ma cu fotografii  ale vasului (pe fondul modernei cladiri pe care se lafaia uriasa firma Samsung).


Si iar, Neva si sloiurile de gheata plutind, podurile (9 dintre ele se ridica noaptea, dupa ora 1, pentru a permite vaselor sa treaca, prilej de interes pentru turisti), bulevardul central Nevsky Prospekt si apoi celelalte trei catedrale (partial muzee) principale, inafara de ‘Petru si Paul’ : Biserica Mantuitorului insangerat (Church of the Savior on blood – singura cu turlele in stil pe care il cunoastem ca rusesc, caci Petru I interzisese construirea turlelor in forma de ‘ceapa’ – pur si simplu o splendoare…), catedrala Kazan, copiata dupa Basilica St.Petru din Vatican si cea mai mare, catedrala St. Isaac, cu una din cele mai mari cupole din lume, cea care se vede din orice punct de pe malul Nevei, a carei constructie a durat 40 de ani.


Si in tot acest timp, povestiri, informatii, istorie si arta – care daca ar fi fost numai pe jumatate atat de amanuntite, ar fi satisfacut un exigent turist – totul impletit cu umor (si ferma pastrare a disciplinei grupului), din partea ghidului nostru israelian.

Finalul primei zile in St. Peterburg l-a constituit bogatul spectacol de folclor pe care l-am vizionat la palatul Nikolae. Am fost primiti pe maiestuoasa scara de catre actori in costume de epoca si poate doar pozele sa redea bogatia culorilor, frumusetea costumelor, dar sigur nu pot reda muzica si talentul dansatorilor.

Satul tzarilor, Tsarskoye Selo, facand parte acum din orasul Puskin, din suburbiile St. Peterburg, a constituit tinta celei de-a doua zile a excursiei. Vizita la Peterhof, care fusese in program, a fost anulata, deoarece celebrele sale fantani, care constituiau principala atractie a palatului de vara a lui Petru I, nu functionau… Palatul baroc al Caterinei a II-a, insa, un adevarat Versailles, a compensat pe deplin. Nu numai bogatele si luxoasele incaperi ale palatului insusi, ci parcul imens, pavilioanele raspandite in diferite colturi ale sale, lacul… Superb. Placuta senzatie de a te plimba ‘cu Caterina’ de mana ore in sir…


Pe drumul de intoarcere spre hotel, ne-am oprit la Sinagoga de pe strada Lermontov din St. Peterburg, impresionanta prin arhitectura sa cu influente maure, construita la sfarsitul secolului 19. Desi erau prezenti cativa reprezentanti ai comunitatii evreiesti, ni s-a permis (si noua, femeilor) sa intram si sa fotografiem.


Turul monumentelor luminate noaptea nu m-a impresionat in aceeasi masura. Dar am vazut astfel si Catedrala Smolnai si Institutul cu acelasi nume, care o inconjoara, institut care a fost prima scoala pentru femei din Rusia. Aici isi stabilise Lenin sediul cartierului sau general in timpul revolutiei din 1917.

A treia si ultima zi a scurtei mele vizite in St. Peterburg a constituit culmea excursiei in Rusia, am intuit-o inca de pe atunci. O zi insorita, St. Peterburgul venetian, hoinareli pe stradute si  prin piete de fructe si legume, dispozitie personala excelenta si Ermitaj, in sfarsit Ermitaj! Palatul de iarna (de care am omis sa pomenesc, admirat cu o zi inainte doar pe dinafara, din impresionanta sa piata), Micul Ermitaj si Noul Ermitaj alcatuiesc complexul actual, in stiluri arhitectonice diferite.

Cum as putea povesti cate ceva din cele vazute? Sa relatez despre Leonardo, despre Rafael, Tizian? Despre impresionantele sali si bogatele colectii? Despre orele in sir petrecute acolo, despre din ce in ce mai putinele perechi care am ramas in preajma ghidului, netinand seama de oboseala, pana cand, in camerele rezervate impresionistilor, pana si ghidul ne-a lasat sa colindam singuri? (Pe-acolo reusisem sa ‘fur’ o fotografie cu ‘Eterna primavara’ a lui Rodin, potrivita cu cea din sufletul meu in acele momente…). Senzatii, spuneam. Senzatie de satisfactie? Putin spus. Nu, efectiv nu am cuvinte.

Si pe cand credeam ca nimic nu poate intrece acea senzatie, in aceeasi seara am vazut baletul ‘Lacul lebedelor’, cu una din trupele baletului Kirov, la Ermitaj Theatre. Sa nu declar aceasta zi ca fiind culmea excursiei, chiar daca spectacolul nu a avut loc la celebrul teatru Mariinsky, cum credeam, si pe care-l vazuseram in acea dupa-amiaza, doar pe dinafara ???
Chiar daca a fost ziua in care am facut cele mai putine fotografii.

Am mai omis in relatarea mea cateva palate, biserici si cladiri publice (Bursa, ca un impozant templu grecesc, Universitatea de stat de pe insula Vasilievski, Amiralitatea, statuia ecvestra a lui Petru cel Mare din piata Senatului) despre care ni s-a povestit, le-am vazut si le-am fotografiat si sunt sigura ca nici senzatiile mele nu le-am putut impartasi pe deplin, dar cat pot abuza de rabdarea cui a avut timpul si poate placerea de a citi pana aici?

Am parasit St. Peterburg in (foarte) zorii celei de-a patra zile in Rusia, plecand spre Moscova, unde asteptam intalnirea cu alte doua importante perioade din monumentala istorie a Rusiei (inafara de perioada tzarilor si a revolutiei bolsevice despre care St. Peterburg ne impartasise cu larghete) : Napoleon pe de o parte si al doilea razboi mondial si urmarile sale, pe de alta.

Moscova mea… va urma.

* https://picasaweb.google.com/mshmilovitch/RusiaApril2011StPeterburg#

Posted in Mariana Gott-Shmilovitch, travel | Tagged , , , | Leave a comment

Vladimir Weintraub – Parcul Chapultepec (Mexico City)

Vladimir Weitraub continua sa ne impartaseasca impresii si fotografii din excursia facuta cu doua luni in urma in Mexic.

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Parcul Chapultepec (cunoscut si sub numele Bosque de Chapultepec) e cel mai mare parc din America Latina si unul din cele  mai mari parcuri urbane din lume (686ha), alaturi de Bois de Boulogne/Paris, Gradinile Imperiale/Tokio si Central Park/New York. Chapultepec inseamna in limba Nahuatl (cea mai vorbita limba intre dialectele indiene) – Dealul Lacustelor, dupa dealul din centrul sau. Pe langa parcul – padure, alte puncte de atractie sunt Parcul de distractii (ca Prater la Viena), Gradina Zoologica, Muzeul National de Istorie (in forma de cochilie de melc) si, desigur, Castilio – Castelul Chapultepec.

Un paianjen curios sa vada ce mai e pe afara!

Gradina zoologica este cea mai vizitata atractie a parcului; a fost inaugurata in 1924 si are cca. 2000 de animale din 200 de specii – cei mai celebrii sunt ursii Panda, pe care din pacate i-am prins la “siesta”. Coltul insectelor e bine dotat; cortul fluturilor si speciile periculoase de paianjeni din … borcane.
Noi am pus accentul pe Castilio, fosta resedinta de vara a vice-regelui si mai apoi sediul preferat al Imparatului Maximilian, o figura tragica din istoria Mexicului.

Maximilien Ier du Mexique ou Ferdinand Maximilian Joseph, prince impérial et archiduc d’Autriche, prince royal de Hongrie et de Bohême, né à Vienne (Autriche) le 6 juillet 1832 et mort à Querétaro (Mexique) le 19 juin 1867, était un membre de la famille impériale d’Autriche (maison de Lorraine) qui fut empereur du Mexique entre 1863 et 1867. Avec l’appui de Napoléon III et des conservateurs mexicains, il est couronné empereur du Mexique, le 10 avril 1864.

sursa – http://fr.wikipedia.org/wiki/Maximilien_Ier_du_Mexique

Destinul i-a fost tragic; in momentul cand a refuzat sa mai serveasca interesele franceze pentru a servi interesele noii sale patrii (Imperiul Mexican), Napoleon III i-a retras sprijinul. Mexicanii liberali, care l-au contesta de la bun inceput, l-au prins si executat.
Frescele din Castel oglindesc punctele principale din istoria Mexicului: Razboiul de independenta 1821 contra Spaniei (erou Miguel Hidalgo), primul presedinte indian Benito Juarez (1871-1872) si rascoala taraneasca condusa de Pacho Villa si Emiliano Zapata (era sa zic Emilian Pugaciov).

Benito Juárez; (March 21, 1806 – July 18, 1872) nascut Pablo Benito Juárez García, a fost un  avocat şi politician mexican de neam Zapotec originar din statul Oaxaca , care a servit sub cinci mandate ca presedinte al Mexicului : ca interimar 1858/61 , 1861-1865, 1865-1867, 1867-1871 şi 1871-1872.  Benito Juárez a fost primul lider mexican care nu a avut un fond militar, şi, de asemenea, primul indigen pur- sânge care a condus ca preşedinte al Mexicului. El a rezistat ocupatiei franceze , a răsturnat Imperiul , a restaurat Republica şi a pus bazele modernizarii ţării.

Dupa el a urmat din nou un general, Porfirio Diaz care l-a “inlocuit” (cu forta) pe Juarez dar a continuat si dezvoltat modernizarea Mexicului.

Fatada castelului

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Adrian Ionita: Mike Godoroja la Festivalul JIMBO BLUES 2011

Artistii importanti nu trec prin viata noastra fara a lasa urme. Daca sunt muzicieni cum a fost Kamocsa Bela ne lasa muzica lor si Bela a facut multa muzica buna de la Phoenix si pana la jazz-ul si blues-ul al carui promotor si reprezentant a fost paba la sfarsitul vietii. In cazul lui Kamocsa Bela au ramas mostenire si festivalurile pe care le-a initiat, intre care JIMBO BLUES in orasul de la rascrucea frontierelor de vest ale Romaniei – Jimbolia. Adrian Ionita (sau colegul si prietenul Larry de pe listele internetice) face cadou cititorilor blogului ‘Catcher in the Sand’ aceasta contributie despre editia 2011 a festivalului si despre un alt excelent muzician roman care isi dedica viata si creatia blues-ului – Mike Godoroja. Articolul a aparut initial pe Reteaua Literara si la OradeTimis.ro.

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Un frig neaşteptat s-a lăsat vineri seară pe coiful statuii Sf. Florian din inima oraşului Jimbolia. Patronul oraşului, sfânt în calendarul catolic, a pus în mâinile oraşului şi ale primarului său un JIMBO BLUES, un festival de blues incandescent care de la ediţie la ediţie trece printr-un proces de călire şi încercări ce are nevoie din partea noastră de o atenţie nedivizată şi un suport logistic şi financiar sporit.

Funcţionând cu un buget de 10.000 de lei, ce poate intra în The Guinness Book of World Records în materie de supravieţuire, este o minune că acest festival poate acoperi acomodarea artiştilor şi un platou de pizza. Miracolul se datorează şi fondatorului acestui festival, regretatului bluesman timişorean Kamocsa Bela, care a lăsat cu limbă de moarte dorinţa sa de a vedea împlinit un vis artistic pentru Banat. Faptul că Bela a ales Jimbolia nu este întâmplător. Oraşul se află aproape de graniţa cu Ungaria şi Serbia şi, încă din anul 2003, Bela a văzut în el un Triplex Confinium al jazz-bluesului european.

Vineri seara, la grădina de vară din centrul oraşului, am avut surpriza să văd un spaţiu superb – care poate găzdui pe puţin 600 de persoane şi are condiţii impecabile de sonorizare -, lăsat cu câteva rânduri de bănci goale. Epifania momentului m-a făcut să îmi imaginez că Jimbo Blues ar fi continuat cu aceeaşi pasiune, chiar dacă nu ar fi fost prezent niciun spectator. Printre artiştii prezenţi la Jimbo Blues 2011 este şi Mike Godoroja, licenţiat în inginerie la Bucureşti şi în TV production la Paris, un muzician a cărui voce şi disponibilitate m-au lăsat uimit de admiraţie şi care a petrecut 14 ani cu formaţia IRIS. După spectacol, ne-am pus la masă în cafeneaua Santa Maria, adiacenta festivalului, şi am avut cu el un dialog blitz, asistat de membrii formaţiei sale şi Florian Lungu, secondaţi de domnul Nicu Vânătoru, prietenul şi amfitrionul meu din Jimbolia, dialog pe care îl redau exclusiv în cuvintele lui Mike Godoroja:

(video source mikeandbluespirit)

Proiectul Mike Godoroja & Blue Spirit funcţionează de 14 ani şi este un proiect deschis unor zone de de cross, de interferenţă şi răscruce. Adică luăm bluesul ca formă de expresie şi gen şi îl răstălmăcim în felul nostru de al simţi, specific românesc. Fiecare spectacol la noi este o formă de a te exprima pe tine însuţi, noi nu cântam la fel aşa cum se aude pe casetă sau bandă şi acest lucru, deşi este un efort în plus pentru că înseamnă să îi înţelegi esenţa, te reprezintă în mod sincer şi îţi dă capacitatea să revii pe scenă în felul tău autentic.

Cum bine se cade, atunci când eşti invitat într-o sufragerie de blues, cum este cea de aici, trebuie să dai bineţe şi să te prezinţi. Echipa mea este foarte specială. La tobe, un veteran al acestui instrument, domnul Marius Vintila, a cântat cu Vali Sterian şi Mircea Florian. La chitară bass, un distins domn care a învârtit roata lui Sorin Chifiriuc, este vorba de Virgil Oprina, iar aici în dreapta mea, foarte proaspăt cooptat, îşi face în această seară cel de-al doilea debut, un elev de suflet al lui Rareş Totu, şi el prezent la festival cu Marcian Petrescu & Trenul de Noapte, un pătimaş de blues în adevăratul sens al cuvântului – domnul Alex Vişan. În stânga este partenerul pe care mă bazez să clădesc acest proiect, adevărata călăuza a grupului, Luca Marius. În capul mesei, desigur, bunul meu prieten de un sfert de secol Florian Lungu, un sfânt în blues şi jazz, n-are nevoie de prezentare, jurnalist celebru şi prezentator de televiziune, sufletul şi organizatorul multor festivaluri de muzică din România.

source http://reteaualiterara.ro/profiles/blogs/mike-godoroja-la-jimbo-blues

Ne-am transformat, dacă vreţi, pentru această bucăţică de seară într-un soi de arheologi care caută şi încercă să aducă la lumina piesele care stau la baza muzicii de astăzi, pop, rock, soul, jazz şi aşa mai departe, şi care nu ar fi existat fără ele. Există blues şi în Guadelupa, şi în Marea Britanie, şi în Finlanda, şi aici, în Jimbolia. Blues înseamnă în primul rând emoţie, înseamnă posibilitatea de a renunţa la orice sofisticare, complicaţii sau filosofii în muzică şi de a rămâne în esenţă suflet pur. Cine vrea să asculte blues nu trebuie să se pregătească pentru o simfonie de Wagner sau să aibă exigenţa de asculta un Oscar Peterson. De altfel şi marii jazzmeni când se întorc la blues, se întorc la simplitatea emoţiei. Când cineva zice că compune blues, cu siguranţă face o gafă pentru că nu se mai poate compune blues decât atunci când conţine o parte din sufletul tău.

Există în toate câte ceva în care depunem suflet. Fiecare dintre noi, aici, atunci când mergem către treburile noastre cu siguranţă facem lucruri cu suflet, pentru că lucrurile fără suflet nu au viaţă, aşa cum a înţeles şi domnul Dejan, care s-a ocupat magistral de sunet, şi domnul Gabor Kaba, primarul Jimboliei, care a făcut acest festival posibil.

Vorbind de natură artistului şi de sistemul de promovare în care este angrenat, cred că este necesar să nu ai blocaje, nici estetice, nici financiare, pentru că atunci când faci ceva cu sufletul la gură, cu inima strânsă sau teama unor plăţi sau facturi, lucrurile devin crispate, devin angajate, devin comenzi. Încercăm să păstrăm acea prospeţime şi naturaleţe care sunt eliberate de constrângeri de genul acesta, chiar şi în situaţii limită. Pentru succesul unui festival este nevoie de foarte multă muncă şi este nevoie de un alt fel de marketing, o educaţie la firul ierbii, care se face progresiv de la simplu la complex, până la formele cele mai sublimate de expresie muzicală. Publicul din seara aceasta a fost mai puţin numeros pentru că nu a fost chemat, dar lumea îşi face pasul către noi şi trebuie ajutată în acest sens. Este învăţătura de minte pentru ediţia următoare, trebuie să existe un colectiv de oameni inimoşi care să facă un efort în plus, să facă din Jimbolia un punct pe hartă, o Gărână de Blues perfectă. Aici sunt toate condiţiile şi loc de campare, iar de dorinţa artiştilor vă garantez.

Cu siguranţă, există în fiecare dintre noi un moment în care ne spunem păsurile, un moment pe care ni-l dedicăm numai nouă cu un egoism frumos, un moment în care aşezăm în faţa noastră, ca într-o expoziţie, icoanele celor dragi, de la străbunici până la strănepoţi, ne uităm la ele şi stăm pe o prispa imaginară ca într-o piesă care ne place mult şi ne ajută să ajungem la sufletul nostru, Travelling Riverside Blues, un frumos blues tradiţional aranjat genial de doi giganţi care au făcut istoria rock bluesului să vibreze, Jimmy Page şi Robert Plant, şi care, prin Led Zeppelin, ne-au lăsat o moştenire tot atât de importantă ca Johan Sebastian Bach. Led Zeppelin este pentru mine o formă de respect pe care o am pentru cea mai cotată formaţie de rock-blues europeană, este o întreprindere, o instituţie şi o academie de muzică, având o contribuţie imensă în muzica universală. Sunt mândru ca Mike Godoroja & Blue Spirit este unul dintre mesagerii ei.

(video source mikeandbluespirit)

Printre piesele pe care le-am cântat astăzi sunt şi două care vor face parte dintr-un album în pregătire în limba română, Irish şi O Doamne. Albumul se va numi Vânătoarea de oameni şi a plecat de la idea de a proteja cultura de agresivitatea tot mai mare a mass-mediei. Din repertoriu a mai făcut parte o piesă dedicată momentului în care simţi că sufletul se zdruncină precum barcazul beat al lui Arthur Rimbaud. Piesa se intitulează Bluesul sufletului meu zdruncinat şi domnul Luca Marius l-a interpretat aici la un instrument care vine să ne îndulcească sufletul – dulcimer. De asemenea, am cântat Eşafod, o variantă grozavă a unui blues tradiţional de Huddie “Lead Belly” Ledbetter, şi Imnul Bluesului, o piesă care vine din vremurile în care bluesul nu se cântă nici măcar cu oculele, eventual cu muzicuţa, pahare, halbe, funduri de tigăi şi cel mai simplu instrument – palma, piesă trecută prin apele noroioase ale lui McKinley Morganfield, cunoscut sub numele de Muddy Waters.

Cred că este foarte important să amintim lumii să nu uite, sau să nu îi fie ruşine să rostească cuvintele Te Iubesc. Este un exerciţiu cu care încheiem multe concerte, inclusiv acesta care stă în inima noastră. Te iubesc, Jimbolia, şi sunt convins că, acolo unde este, Bela Kamocsa ne vede şi ne salută să ducem mai departe visul său.

(fotografie de Theophil Soltesz)

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Film: Nunta muta (Horatiu Malaele, 2008)

I have known Horatiu Malaele as one of the young and gifted actors of the Romanian theater. Having left Romania 26 years ago I could see him now and then in movies or TV theater, and heard only sporadic news about other directions he developed in – stage director, theater manager, satiric cartoons artist. Now I could see his first tentative as a movie director, and it is more than satisfying and certainly much more than just a debut. Make no mistake, this film does not look like the ‘minimalistic’ style films of the younger and better known generation of Romanian directors, it is more theatrical and inspired from classical Romanian literature in conception and looks deeper back into the history of Romania.

source http://www.cinemagia.ro/filme/nunta-muta-18709/

The story of ‘Nunta muta’ (The Mute Wedding) written by Malaele and satiric author and playwright Adrian Lustig is set in the year 1953, the year of the death of Stalin and is supposed to happen around the time Stalin died, although by a decision that could not have been unintentional the action is set in summertime (allowing for a few beautiful countryside takes) while Stalin died on March 5th that year. In a Romania occupied by the Russian army, the traditional agriculture based on private property and way of life of the Romanian peasants fights a war without chances with the Communist economy and ideology imposed by the occupier. A wedding needs to happen, and what should have been a normal event in the course of life becomes a confrontation between two worlds, as no joy and no noise is allowed while the whole planet is supposed to be in grieving for the loss of the Father of the Peoples. The ending is inevitable and symbolic.

http://www.youtube.com/watch?v=ANsEBNwy0fE

(video source Miril888)

Malaele and Lustig are not extremely careful with the historical details – I mentioned the date mismatch – but they are extremely true in building a set of characters which are full of color, nuances and humor – a kind of combination of the Romanian literature types encountered in the works of Caragiale and Marin Preda – who by themselves build a world that disappeared and to which this film tries to be a homage. The critic can be made that the negative characters are too schematic, the Communists and the Russian officers look like B-movie villains, but this seems to be intentional again, as the authors seem to say that the whole system that swapped Eastern Europe looked like a bad movies inspired villain system.

(video source rgfmr)

There are many scenes to remember in this film, which in its best moments reminds the movies of Kusturica at their best. Of course the wedding scene itself is fit for movies anthologies, but I will also keep in mind for long the scene of the screening of the propaganda film in the village, and the closing that gives to the whole movie a different perspective and a supplementary dimension. The team of actors does a very good job, with Meda Andreea Victor shining over all in the role of the bride.

I do not know if this was supposed to be a singular tentative in the multiple directions the career of Horatiu Malaele is taking, or whether he plans to continue with other films as director. If he does I will look forward to his future films.

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Happy Birthday, Israel!

As the Memorial Day draws to its end and Israel enters the celebrations of Independence Day, the national anthem ‘Hatikvah’ (The Hope) marks as each year the moment of passage. I do not hide, it may be the song I love most of all songs on Earth. As last year, and maybe starting some kind of a tradition of mine, I was looking for special or funny versions of the song to post on my blog, when a discussion started on a virtual list by Andre – one of these friends that I owe the Internet having known them – drew my attention.

source http://www.ortav.com/sunshop/index.php?l=product_detail&p=397

Andre was referring to the weekly show ‘Mekablim Shabat’ (Welcoming Sabbath) which is presented by anchor Dov Elboim each Friday evening on Channel One of Israeli TV. This show which usually invites each week a different guest from various fields of religious, social, cultural life to discuss the weekly Torah portion, was dedicated this week to the national day, and had as guest Astrid Balzan, Ph.D. who wrote a book about the national anthem, a book whose title translates ‘HaTikvah – Past, Present and Future’.  I did not read the book (yet) but it seems like interesting reading. Dr. Balzan’s theory is that the melody, whose origin is usually traced back to the La Mantovana, a 17th-century Italian song, originally written by Giuseppino del Biado ca. 1600 with the text “Fuggi, fuggi, fuggi dal questo cielo” to enter the folklore of Eastern Europe and be later used by Smetana in his symphonic poem celebrating Bohemia, “Má vlast,” as “Vltava” (Die Moldau) and by Samuel Cohen for “HaTikvah” (source http://en.wikipedia.org/wiki/Hatikvah) actually originates in a melody used in prayers by Spanish Jews as early as the 14th century. The prayer is named ‘Birkhat hatal’ name that translates as ‘Blessing of the Dew’ which sounds quite poetic.

Some details about dr. Balzan’s book can be found at http://www.ortav.com/sunshop/index.php?l=product_detail&p=397 and Dov Elboim’s show can be seen in the next few days at http://www.iba.org.il/media/?recorded=1 (in Hebrew).

(video source AntinouslsGod1)

Whatever the past was HaTikvah is still generating new versions and discoveries of older recordings, each with its own story. Here are two for this year’s anniversary. The first was sang in 1950 by Al Jolson. Born Asa Yoelson in what is today Lithuania, Jolson became in the 20s and 30s one of the top entertainers in the United States. He was not only a great comedian and musician, but also what we call today an engaged artist, fighting prejudice and racial discrimination, promoting jazz and African-American music and the African-American artists to the white audiences. He will of course be always remembered by many people for having played (with black make-up) and sang in 1927 in the first sound movie picture in history “The Jazz Singer”. This recording of HaTikvah may be one of his last, made in 1950, the year of his sudden death.

(video source stavc16)

Here is another version of HaTikvah, a very recent one. It’s a short excerpt of the much publicized concert that teenage star Justin Bieber gave in Tel Aviv less than one month ago. The performer is Dan Kanter – the guitarist playing with Justin Bieber, considered to be the man behind his music.

The anthem is alive. Israel and its people are alive.

Happy Birthday, Israel!

Posted in history, holidays, Israel | Tagged , , , , , , , , , | Leave a comment