Gmar Hatima Tova

It’s the eve of Yom Kippur and the Jewish world prepares for the fasting and the prayers. As I start to build a tradition also for the Jewish holidays on ‘The Catcher in the Sand’ here are a few works of art and pieces of music inspired by The Day of Atonement, as well as youTube clips related to the way Yom Kippur is happening in Israel.

 

 

(source http://en.wikipedia.org/wiki/File:Gottlieb-Jews_Praying_in_the_Synagogue_on_Yom_Kippur.jpg)

 

One of the most famous paintings inspired by Yom Kippur is ‘Jews Praying in the Synagogue on Yom Kippur’ by the Jewish Galician painter Maurycy Gottlieb. The gathering of the Jews in the synagogue, their passion to prayer, the overall atmosphere has both historical accuracy as well as a timeliness that crosses the centuries.

 

(source http://www.judaicaposters.com/pages/jp303.html)


Here is another work inspired by Yom Kippur painted by the Hungarian-born painter Isidor Kaufmann.

 

(video source rebezra)

 

Today in Israel the traditions differ from the different communities that returned from exile. In Jerusalem Sephardic community a month of Slikhot (Forgiveness) prayers culminate in the eve on Yom Kippur (by the time I am writing this blog entry) with a huge gathering and a community prayer at the Western Wall.

 

(video source damcenenroe)

 

You may know one of the famous songs of Leonard Cohen  ‘Who by Fire’. Here is a version recorded with the great jazz saxophonist Sony Rollins in 1989.

 

http://www.youtube.com/watch?v=YI7cB0CngJQ

(video source jordannnnnn)

 

The song is actually an adaptation of a Yom Kippur prayer. Here it is in another version sang by Leonard Cohen, with the Hebrew and English words.

 

(video source Bigratus)

 

The most famous text related to Yom Kippur is Kol Nidre, the declaration of repentance and the pledge taken at the opening of the service in the synagogue. In the traditional service the text is in Aramaic. It inspired a number of musical pieces. A traditional variant is featured in the first spoken (and sang) film The Jazz Singer (1927) by Al Jolson (Asa Yoelon). The story of the song in the famous film is described in a New York Times article.

 

(video source lynnharrell)

 

The Kol Nidrei for cello & orchestra, Op. 47, Composed by Max Bruch is the most famous classical music variant. Last year I brought here the splendid interpretation of Jacqueline du Pres, here is another exquisite rendering by Lynn Harrell at the Papal Concert to commemorate the Holocaust as the Vatican in Rome on April 7, 1994.

 

(video source rapunzelrow)

 

On a lighter note, not everybody fasts and prays on Yom Kippur in Israel.  As traffic completely stops kids on bicycles (and not only kids) take control of the streets for one full day.

 

Gmar Hatima Tova – May you be inscribed (in the Book of Life) for Good

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Steve Jobs (1955-2011)

A life of invention, a career  that changed the industry and our lives.

 

source http://thegadgetsite.com/tag/steve-jobs/

 

Best homage I read this morning is the portfolio of his inventions that is being drawn by NYT


http://www.nytimes.com/interactive/2011/08/24/technology/steve-jobs-patents.html?smid=fb-nytimes

 

His vision combined technical thinking with the extraordinary capability of anticipating the needs of customers tomorrow.

 

May his memory be blessed.

 

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A Crime Novel by Batya Gur

This is my first encounter with the novels of Batya Gur, one of the best known Israeli crime fiction writers. She was the author of six novels whose hero is the Jerusalem police detective Michael Ohayon. The title in Hebrew is HaMerhak HaNahon which would literally translate by The Right Distance, but each translation in other languages re-invented the title its own way. The English edition was named Murder Guet: a musical case, and the title of the French translation that I read is Meurtre au Philharmonique (in the Livre de Poche series).

 

source http://upload.wikimedia.org/wikipedia/commons/f/f2/Batya_Gur_2003.jpg

 

Let me first say that beyond the genre she wrote in Batya Gur was a good novelist. It’s not that I have any disregard for crime novels or for any other literary genre, as I first judge books according to the quality of their writing and the truth of their characters. Meurtre au Philharmonique allows for a travel in time, despite the fact that the story happens just 15 years ago. And yet, so many things changed in this country in the last 15 years, that the story of two murders in a family of musicians in Jerusalem written by Batya Gur could have rather happened in a different country on a different continent and many decades apart from today. We do have in the overall atmosphere of the civilized and culture-prone city and in the characters that seem to have each of them some kind of born style of nobility from the main character of police detective Ohayun, to the family of musicians and second generation of Holocaust survivors Van Helden, and even in the more popular characters like the Ohayun’s colleague Balilti as a reflection of another Israel with better human relations, with less conflicts. Even the political situation is completely absent from the story, which could well have happened in any other civilized city in the Western hemisphere. I wonder how and if Batya Gur would have written such novels nowadays.

 

source http://www.amazon.fr/Meurtre-au-philharmonique-Batya-Gour/dp/2253148253

 

The first almost one hundred pages have actually nothing detective in them, but say a lot about the loneliness of men dedicated to their professions and about the need to get salvation through the discovery of a child and by answering the fragility and need for protection. Despite the detective story being restored in its rights as the book advances the mood of melancholy and the personal dilemmas of the main character stay in the attention of the author and of the readers all the time. There is a formula in each of Gur’s books and this is related to the hero entering a specific profession or institution, learning its secrets, and solving the mystery based on the understanding of the new world that he entered, but also, or most of all of the human nature. This book is no exception and the new world to explore is here the one of the classical music. Batya Gur succeeds to build its story around the music the characters hear or play, even the chapters have names of parts in musical composition. This is another strong aspect of this well written book, which can be satisfying for music lovers, for fans of crime stories or just for people who like to read good books.

 

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Themerson & Themerson

I knew nothing about Stefan and Franciszka Themerson before seeing the documentary directed by Wiktoria Szymanska on ARTE TV. The film starts by filming the couple of artists – he was a writer, a composer and a film maker, she was a painter and illustrator at their old age, settled in Britain. It was the end of a long road that took them from their native Poland where they began as avant-garde artists in the 1920s, to Paris, the capital of arts in the 30s. When war broke Franciszka flew to England, Stefan stayed for a while in occupied France (that was the only time when they were separated after they had met), then joined her. They made films with the Polish propaganda studios during the war, and then stayed in England for the coming decades.

 

source http://deckert-distribution.com/film-catalogue/art-music-culture/themerson-themerson/

 

In the dull after-war British landscape they created colorful and merry art, were in the center of the artistic and intellectual life and opened an editing house Gaberbocchus Press. Here they translated and made known to the English readers some of the earlier decades French experimental writers and poets like Alfred Jarry and Guillaume Apollinaire. In the 60s Franciszka worked stage sets for theater in Sweden, and then the two moved for a few years in the Netherlands. They spent their final years in England, and died a few months apart one of the other.

 

source http://strawdogs.wordpress.com/2011/05/03/franciszka-themerson/franciszka-themerson-4/

 

Here is one of drawings created by Franciszka typical to the style she used in the many book illustrations that she created.

 

(video source richubertson)

 

The first minutes of the documentary filmed presented by ARTE can be seen here. The film traces the lives of the two artists, their multiple directions and means of expression, their careers with ups and downs but first of all it is a love story of two charming people who seem to have radiated goodness and joie de vivre – the joy of living and creating to all who met them and now remember them dearly.

 

http://www.youtube.com/watch?v=1Mh30f1K9_s&feature=results_video&playnext=1&list=PLC00A9264435DA523

(video source BolVVVerk)

 

Calling Mr. Smith (you can see it above) is the first of the two films made by the Themersons in England during the war. It tells about the atrocities committed by the Nazis in occupied Poland.

 

http://www.youtube.com/watch?v=J6_pe29WgQM

(video source sellarco)


Here is Oko I Ucho (The Eye and The Year), the second film made during the war at the Polish Studios in London in 1944/45, an example of experimental animation inspired by four songs by the Polish composer Karol Szymanowsky.

 

sourcehttp://www.themersonarchive.com/pageCmed.htm

 

Franciszka’s style change towards the end of her life, she painted om larger canvases on almost abstract representations in a more dramatic mood. Here is ‘And so it goes’ – painting from 1977.

Seeing this documentary made me think that some of the avant-garde artists of the 20th century resemble the Renaissance artists in their multiple means of expression, their holistic view of the world, their thirst of exploring, discovering imagining. The Themerson Archives Web site allow all of you to learn more about these two wonderful artists and people – http://www.themersonarchive.com/index.htm

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Film: Source Code (Jake Gyllenhaal, 2011)

Source Code is a rare kind of a film nowadays. A techno-thriller with brains and soul. No easy task, but apparently not a first for director Duncan Jones whose previous film Moon (which I did not see yet) has a large number of fans. This second full feature film establishes him as one of the most interesting directors in a genre which is not lacking opportunities in Hollywood, it is missing exactly the intellectual quality and the emotions that he is bringing on the set.

 

source http://www.imdb.com/title/tt0945513/

 

The main hero of the story is a US officer fighting in Afghanistan who wakes up in a train speeding to Chicago in the company of an attractive young woman and soon realizes that his identity and appearance have changed. A few minutes later the train explodes in a terror attack, and he wakes up in his own skin in the constrained space of what looks like a space capsule, to be briefed and learn that he has just lived the last eight minutes in the life of another person. By means of a combination of quantum physics and computer engineering he will be able to return several times in the speeding train and re-live the same events accumulating the knowledge from the previous instances, in alternate runs of the reality, with the goal of finding the terrorist and preventing a second much more damaging attack. Inevitably he will fall in love with the young woman in front of him and tray to save her life and the lives of the other people in the train. It is just that succeeding would actually sliding in a different reality or a parallel universe, name it as you wish.

 

(video source hollywoodstream)

 

Science in movies would almost in all cases fail you in technical universities exams, and the one in Source Code would probably not rank better if put under academic scrutiny. It has however two qualities that are important for the film – they allow for the repetition in a constrained space which provides the unity of space and time so dear to writers of good story since the Greek tragedies, and it is exposed gradually and learned by the main hero at the same time as the viewer, which helps us identify with the dilemmas and emotions of the character. Jake Gyllenhaal is an excellent choice for the role and all the other characters support him like a web threaded around his fight against the time to discover the truth and the moral and emotional choice that he makes in the final. A well made film, not too long, not too expensive (but not lacking a few spectacular moments), smart and sensible. One of a rare kind nowadays, did I already say it?

 

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Film: Knight and Day (Tom Cruise, Cameron Diaz – 2010)

Knight and Day was one of the 2010 summer blockbusters. With a plot line that is one of the less credible action stories ever seen on screens there was not much alternative left for director James Mangold but to play on the combination between the special effects and the charm and chemistry of the two mega-stars in the cast – Tom Cruise and Cameron Diaz. To a great extent he succeeded.

 

source http://www.imdb.com/title/tt1013743/

 

There can be no pretensions of credibility in a plot in which in order to get hold of a device the size of a battery (oh, it is actually a battery!) the bad guys simply make so that a whole commercial flight is populated by their men – passengers, pilots, stewardesses with the exception of our heroes, of course, who will kill everybody and land the plane relatively safely with no prior training or book of instructions. So as a viewer you better focus on the well choreographed actions scenes and on the ever changing landscape, with countries and continents changing at a pace that would make the envy of James Bond.

 

http://www.youtube.com/watch?v=S9KJDRXXrB8

(video source TheTubeTrailers)

 

While actions scenes are good, they are not enough to explain that this film has charm and humor and makes for a good entertainment. The rest is especially added by the performances given by Cruise and Diaz, who enjoy themselves and seem to enjoy working with each other. The two actors are towards the end of the period when they can play the action people with romantic interest, Cruise is doing it for 25 years (since Legend and Top Gun more precisely) and Diaz for a shorter period, but it may be one of their last occasions for such casting.  The film does not take itself too serious at any moment and this is why we can enjoy its lighter touch.

 

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“V” is for Visitors

In 1984 when we escaped the ‘1984’-shaped Communist Romania and became free people one of our first sources of fascination and the only entertainment we could afford as new immigrants was the TV. Coming from the 2-hours-a-day programs filled with propaganda the (then) only Israeli TV channel broadcasting all day long in colors seemed heaven. We did not understand much Hebrew, so films and TV series were some of our main points of interests. Most series combining science-fiction and action like A-Team, Manimal or Wonder Woman and re-runs of the older series of Star Treak which I was so lucky to see, having missed the Captain Kirk and Captain Picard phenomena during all those years. One series step apart with a somehow darker vision of the contacts between human and alien species and the title was simply V. The V was for Visitors and they were in this case a cruel race of reptilians who were hiding their identity under well fabricated human skins and whose superior technology allowed them to invade planet Earth and put humanity in bondage. Of course, mankind fought back.

 

source http://www.imdb.com/title/tt1307824/

 

The remake of the 1984-85 series brings the Visitors to the present. The Visitors do not invade in the 21st century, they just put huge spaceships atop the big cities of the world and make spectacular demonstrations of their might and apparent good will. As expected most of the humans are inclined to collaborate, and only a handful of people see the true nature of the visitors and decide to fight back. As one can expect the graphics in the new series are spectacular, we are in the post 9/11 world where terrorism is fought with earthly and sometimes alien technology, and and the special effects support well a paced action line which plays all the time on the uncertain balance between the longer story line and the need to provide enough story, substance and conflict resolution in the 45 minutes of each episode. The build-up of the characters is excellent and it is supported by good acting so we soon start to care about FBI officer Erica Evans (Erica Mitchell) and her son Tyler (Logan Huffman), V-deflector Ryan Nichols (Morris Chestnut), his human lover Valerie (Lourdes Benedicto) and father Jack Landry and learn to mistrust, fear and hate the Visitor’s Queen Anna (Morena Baccarin), and we watch with interest the evolution of a few characters that oscillate between the interests of the two species like TV anchor Chad Decker (Scott Wolf) and Anna’s daughter Lisa (Laura Vandervoort).

 

(video source segurodental1)

 

The ambitions of the series goes however beyond the pure action story and even the longer thread of the conflict between species. Some critics read in the plot an allegory of the American politics which I was not to fast to decipher. What was obvious to me however especially in the second season was the moralistic and even religious line taken by the authors in defining the differences between the species as lying mostly in the existence of feelings like compassion and love with the concept of ‘soul’ representing their incarnation in one concept. I think that the religious terminology got too explicit at some point and a more abstract definition of the concepts of Good and Evil would have looked better, but overall the show gained amplitude and led to some emotional moments as it advanced in its second season. I can regret even more the decision to take the show off the screens exactly when it became more interesting and broadened its plot with a new chance for the freedom fighters and a new secret organization becoming part of what seemed to become a hopeless fight to save mankind. Sometimes commercial realities kill dreams exactly when they start being more exciting.

 

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The Wines to Start the Year

We chose three wines from the Israel Mony vineyards for our Rosh HaShana table: Cabernet Sauvignon, Chardonnay and Gewurztraminer.

The Cabernet was slightly unusual, lighter than expected, with interesting fruity nuances. I loved the Chardonnay, deep and with a honey color fit for the occasion. The Gewurztraminer was a light and pleasant companion for the deserts.

 

source http://www.israeliwine.com/?p=263

Their Web site is http://www.mony-vineyard.co.il/

The review of some of Mony’s wines written by the late wine critic Dabiel Rogov can be read at http://www.wines-israel.co.il/len/apage/71838.php

Some more impressions ca be read at  http://reignofterroir.com/2008/02/23/mony-winery-israel/

(source http://www.happyheartswine.com/index.php?mainPage=wines&brand=Mony)

 

On Facebook the vineyard can be befriended at  http://www.facebook.com/group.php?gid=118965654817483

Here is an excerpt from their Facebook entry page:

Mony is set in the grounds of a Christian monastery, is owned by an Arab-Christian family and makes Kosher wines. For years wine was produced by the resident monks of Dir Rafat, famous for its painted ceiling with the words “Peace” written in hundreds of languages. The Artoul family worked in the winery until Shakib Artoul leased the land and established Mony in 2000. The winery is named for Dr Mony Artoul, Shakib’s first son who tragically died of a heart condition in 1995 – a plaque dedicated to him hangs over the entrance to the tunnels and cellar at the back of the winery. Nur Artoul is the winemaker and with his father and two remaining brothers they oversee the winery operations.

Shana Tova!

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Shana Tova!

Here we are, on the eve of the Jewish New Year or Rosh HaShana. The Year we enter in this evening is 5772.

 

source http://torahmusings.com/2011/09/weekly-freebies-rosh-hashanah-books/

 

The coming of the holiday is announced by the sound of the shofar, which is traditionally a ram horn.

 

source http://en.wikipedia.org/wiki/File:AlphonseL%C3%A9vy_Shofar.jpg

 

Alsacian painter Alphonse Levy shows how it was blown in Europe in the 19th century …

 

(video source LowellSun)

… and here we have a clip filmed in a Reform synagogue in the US nowadays, we can hear its sound as well.

 

source http://www.life123.com/holidays/jewish-holidays/rosh-hashanah/guide-to-rosh-hashanah.shtml

 

As with any Jewish holiday we have food associated. Honey is the main theme of Rosh HaShana with the wish that the next year will be sweet as honey is. We will eat our honey this evening with home made bread prepared by our beautiful daughter-in-law …

 

(video source MendyTV)

 

… but some prefer it with apple as we can see in the clip above.

 

Shana Tova!

 

 

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A Strike to Regret (or ‘O Go My Man’ at the Habima Theater)

Bad things continue to happen to Habima, the national theater of Israel. The renovation of the historic building was supposed to be ready during the previous season, but it looks like even its inauguration is not sure for this season either. Exiled in improvised halls, most of them below the minimal technical requirements and/or suffering from access and parking problems, the theater seems to be in permanent improvisation mode. What is worse however is that they are making in many cases bad artistic choices.

 

Rami Heuberger and Ricky Blich

(source http://habima.co.il/show_item.asp?levelId=64420&itemId=216&title=&template=1&src=VF/ib_items/5915/pic16.jpg)

 

This is the case of the performance with Irish author Stella Feehily‘s ‘O Go My Man’ which is brought to stage here under the name ‘Monogamia’ (Monogamy) which I saw last night. Even from the title which brings in clear the anagram of the central theme of the play we are faced with one of the principal problems of the Habima choice – the Hebrew adaptation of the Irish author’s play. I confess not to be at all the fan of the Israeli habit of relocating plays in Israel, changing slightly the names of the characters and the seting, sometimes inserting local political jokes. At least the last outrage is spared to the audiences of ‘Monogamia’ but most of what at second thought must be a complex intrigue with a rich baggage of symbols is lost in the translation and localization of the action from Ireland to Israel. The symbol of Alice for example or the character of the Polish immigrant which provides the comic counterpoint are completely lost. In a country like ours where a real and intense conflict is far from being healed even the post-trauma situation of the main character is hard to accept.

 

Amnon Wolf, Dov Reiser, Ricky Blich

(source http://habima.co.il/show_item.asp?levelId=64420&itemId=216&title=&template=1&src=VF/ib_items/5908/pic9.jpg)

 

The audience reacted accordingly last night. I have seldom seen here a performance in theaters where actors are called back at the final applause only once. It would not have happened if the staging of the play did not make the close to two hours (no break) experience simply boring. I am sorry to say, but as much as I like Rami Heuberger as an actor, he is no stage director, maybe not yet. This is obvious starting with the casting, where some clear miscasts are immediately perceived beginning with himself in the main role. He seems to have aimed to copy Jack Nicholson’s appearance without Jack Nicholson’s sex appeal, so it is hard to understand how and why the character played by Ricky Blich (good casting here and maybe the best acting in the performance) falls for him. Why Dov Reiser accepted such a small collection of roles is hard to understand. It’s maybe the economy, stupid, as the actors at Habima were on strike for their unpaid salaries last week. The strike was cancelled a few days before the performance yesterday, but after seeing it I am almost sorry that it did not go on for a while.

 

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