Carte: Octavian Soviany – Viata lui Kostas Venetis

Cu ‘Viata lui Kostas Venetis’ (Cartea Romaneasca, 2011) Octavian Soviany da literaturii romane o carte nepereche. Cine ia in mana aceasta carte si se cufunda in lectura ei nu va putea ramana indiferent. De la primele pagini este evident ca lumea si eroii imaginati de Soviany, stilul scrierii si atmosfera in care au loc povestirile intretesute care construiesc aceasta carte au o consistenta si o expresivitate neobisnuite. Unii cititori se vor simti poate respinsi de acest univers cu miasme de putrefactie si luciri de pacat si vor abandona repede lectura. Chiar si acestia nu vor putea uita cartea aceasta.

Eroul care da numele cartii se naste in Grecia renascuta dupa eliberarea de sub dominatia turceasca, dar faptele eroilor independentei elene vor ramane pentru el in fundal si vor fi amintite doar ca un model de justete respins de insasi structura damnata a personajului.

‘Dumnezeu ne alcatuieste pe unii drepti, iar pe altii stramb si schimonositi. Dar cum ar iesi la lumina dreptatea daca n-ar exista nedreptatea si cum s-ar putea recunoaste cele frumoase altminteri decat prin felul in care se deosebesc de cele schimonosite?

De mic copil, eu, Kostas Venetis, m-am cunoscut stramb si stramb am ramas pana la batranete.’ (pag. 14)

Blestemat din nastere si predestinat pacatului, personajul lui Soviany va parcurge o lume care geografic se desfasoara cititorului de la Grecia satelor sarace si a calugarilor de la Muntele Athos, trecand prin Stambului descompunerii Imperiului Otoman, prin campurile de razboi ale Plevnei, prin Bucurestiul imediat dupa razboi, decadent si asteptandu-si Craii, trecand Carpatii mocanilor, in capitalele intrigilor Europei si sfarsindu-si  destinul in Venetia miasmele mortii. Merita insa examinata structura cartii. Cele cinci capitole au nume de inspiratie cabalistica ‘Picioarele’, ‘Pantecele’, ‘Inima’, ‘Capul’, ‘Coroana’ care par a sugera o constructie care are un tel, o directie. In fiecare dintre ele insa se repeta acelasi tipar narativ, intreaga carte este de fapt o poveste narata care cuprinde in ea alte povesti narate, si asa mai departe, cateodata in cateva nivele suprapuse – aici mai degraba infloriturile structurale amintind arabescurile Seherezadei. Nimic nu este insa basm in structura personajelor lui Soviany, de multe ori pare ca naratorul este acelasi personaj damnat, dedicat raului si destinat pedepselor eterne.

 

sursa http://andreiruse.ro/castiga-romanul-viata-lui-kostas-venetis/

 

‘Eram stricat, stricat pana-n maduva, la fel de stricat ca si putoarea blestemata care ma zamislise si nici macar nu puteam gasi in stricaciunea mea vreo pricina de placere’. (pag. 329)

Filozofia eroului cartii – pe care il vedem crescand de la un copilandru grec de la inceput corupt si dedat pacatului pana la a ajunge sa fie implicat in intrigile marii politici europene din ultimul sfert al secolului si scula a puterii malifice a beizadealei Mihalache, urzitor de comploturi intru instaurarea prin rau a unei ordini de 1000 de ani – pare a fi dominata de un fatalism in care Binele si Raul sunt doar doua forte egale intr-o eterna balanta:

‘Cand imparatii pamantului si capeteniile lor se aduna impotriva lui Dumnezeu si a unsilor sai – e dupa voia lui Dumnezeu. Cand cel ce locuieste in ceruri va rade de dansii si Domnul ii va batjocori – va fi dupa voia lui Dumnezeu. Si cand sunt zdrobiti cu toiag de fier, facuti praf si pulbere si tarana risipita de vant – e tot dupa voia lui Dumnezeu. Atunci, eu, Kostas Venetis am inteles ca sunt numai pulbere si tarana risipita de vant, blestemat fiind de iubirea lui Dumnezeu, care pe unii ii binecuvanteaza si pe altii ii blestema, prin unii naste si prin altii ucide, cladeste prin unii si naruieste prin altii.

Prin strambatatea mea din nastere, peste care s-a adaugat pecetea lui beizadea Mihalache, am fost harazit acelei parti din lucrarea lui Dumnezeu care risipeste spre a aduna, dezbina ca sa uneasca si distruge pentru a zidi. De asta sta scris in cartile noastre sfinte: Cine vrea sa-si mantuiasca sufletul sau il va pierde si cine isi va pierde sufletul lui pentru mine il va castiga.

Si iata pricina pentru care, dupa ce am ajuns la varsta intelepciunii, eu , Kostas Venetis, n-am incercat nicicand sa ma bucur de roadele blestematiilor pe care le-am savarsit. Asa cum faptele noastre bune sunt jertfe aduse lui Dumnezeu, si faptele noastre rele, Nemtoaico, sunt de asemenea jertfe aduse lui Dumnezeu.’ (pag. 190-191)

 

sursa http://octaviansoviany.wordpress.com/poze/

 

Imensa este placerea citirii acestei carti pentru cei care au curajul de a patrunde in universul de cuvinte creat de Soviany, care este un excelent narator si un re-creator de lumi imbibate de culori si miasme. Iata ca exemplu descrierea Stambulului si a populatiei sale cosmopolite:

‘O multime pestrita si zgomotoasa bantuia pe ulite si pe cheiuri. Magari incarcati cu marfuri prin pietele neobisnuit de murdare, pline de caini si pisici fara stapan. Camilele rageau, oamenii vorbeau in toate limbile si gesticulau cu aprindere. Burnusurile albe ale arabilor se amestecau cu mohoratele redingote evropenesti, barbile stufoase ale persanilor stateau alaturi de perciunii lungi ai misitilor israeliti, iar in mutimea bazarului am recunoscut multe nasuri grecesti.’ (pag. 124)

Daca in evocarea istorica si recrearea universului balcanic si european Octavian Soviany are precedesori in Mateiu Caragiale sau Eugen Barbu, nici unul dintre acestia nu a avut interesul sau poate curajul de a se cufunda pana la capat in universul de pacat si in strafundurile intunecoase ale sufletelor personajelor cum o face autorul acestei carti. O combinatie otravita de rautate, uratenie, crima, deviere sexuala pare a domina caracterele fiecaruia dintre personajele sale, sau poate a personajului unic infinit reflectat in oglinzi intunecate. Flori ale raului, flori de mucegai cufundate in adancul Infernului lui Dante.

Realitate istorica sau vis? Amintiri traite sau cosmaruri? Rapunsul il da pe undeva chiar Kostas:

‘Unele din lucrurile pe care ti le povestesc s-au petrecut poate cu adevarat, altele doar in vis si-n inchipuire. Fiecare dintre noi are o viata visata si o viata traita, intre care nu trebuie insa sa facem nici o deosebire, caci in fata lui Dumnezeu, pacatul cu gandul ori visul si pacatul cu fapta sunt tot una. … Iar daca unele din aceste intamplari s-au petrecut doar in inchipuire, ele tin tot de povestea lui Kostas Venetis, caci ce e fiecare dintre noi, fiule, altceva decat o poveste inchipuita de Dumnezeu? (pag. 93)

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Lugoj

The city of Lugoj is located between Caransebes and Timisoara, but the two segments of the road we made the same day were quite different. Both are in very good condition by any standards, some of the best we have traveled in Romania, but while the first part between Caransebes and Lugoj bends in between the hills in a very picturesque area, the second one that connects Lugoj and Timisoara is one of the dullest and most boring areas I have ever driven on.

It’s only the second time I was visiting Lugoj in my life, despite the strong family relations with this city. My grandparents and my mother were born there, and actually the first time I visited the city was exactly 40 years ago, together with my mother, on some kind of roots finding visit. Of course, I had now again a list of places I was supposed to visit, make photos of and bring the pictures to my mother who cannot travel that far any longer.

Lugoj is a place with an interesting history in an interesting area. Mentioned by historical documents for the first time in the 14th century, it was by the time my grand-grandparents lived in a town at the Southern extremity of the Austro-Ungarian Empire, in the area of Banat inhabited by Romanian, Hungarian, German, Serbian, Jews, Gypsies and probably more nations. My grandmother used to say that before the first world war the population in Lugoj was one third Romanian, one third Hungarian, one third German and one third Jewish. She was right despite the arithmetic paradox.

The Two Towers Orthodox church was the first on the list that we visited. It was built in the 18th century, but the interior painting was completely redone between 1941 and 1944 by the painter Anastasie Damian, the same painter who created much of the interior paintings of the Cathedral in Timisoara. My mother’s years of war were related to this church, as a Jew she could not go to public schools because of the racial laws, and as my grandfather was a friend of the painter she took a job of apprentice to church painter Damian! She claims that one of the angels painted on the ceiling is her portrait, I could not really identify it 🙂 The interior painting was renovated a few years ago, the exterior is now under renovation.

Just behind the church can be found the Saint Nicholas Tower, the oldest Orthodox Christian structure in the city, built in 1402 with baroque additions dating from 1726.

We then wondered on the streets of the area of the city called the Romanian area, located on the right side of the river. Many of the buildings are more than 100 years old, some of them are renovated, but a more serious renovation project would help to bring back the beauty of this very picturesque city. See for example the photos of the Bejan Palace, built in 1901 by a royal notary clerk who also was a fine intellectual, who translated first to Romanian the Chronic of Bella, fundamental document in the history of Hungary.

The water of the river Timis cross the city and divide it between the Romanian side and the German side on the other side of the river. Of course, the names are just history, today more than 85% of the population is Romanian. The Iron Bridge is connecting the two parts of the center of the city, and the reaction of my mother seeing the pictures was that it did not change at all from the image she had in her memories as a child.

The same cannot be said about the Dacia Hotel, which was a landmark of the city. We stayed here overnight in 1972 when I first visited the city, which would not have been possible now. The hotel is closed, the building is waiting for some well-deserved renovation to be brought back to its functions and splendor.

Not far from the hotel and the heart of the city the beautiful building of the synagogue can be found. It was built in 1843, and was the heart of the Jewish life – religious and cultural as well, as many of the Jews of Lugoj were educated and music was part of their life in a city that gave to Romania several fine composers and musicians. A school existed in the backyard for more than one hundred year, and was closed forever by the Communist regime. According to Romanian Jewish Community web page dedicated to Lugoj there are only 56 Jews living today in the city, the synagogue is still active, but unfortunately was closed by the time we visited there so we could not enter it.

On our way back we took a picture to what was once the corso – the place of leisure and wandering of the middle class and of course beautiful ladies of the city. Today it’s a commercial area, nice but not too different of the one that can be found in many other places in Europe or the world.

Last stop was on the Popovici Street, to see the house that was once owned by my grand-grandparents and my grandparents, and where my mother and uncle spent their childhood. It’s a quite area, somehow remote from the center of the city. A moment a remembering, a few pictures of the house and the places around, and we got back to the car on our way to Timisoara – another city with good vibrations in the history of my family.

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Midnight in Tel Aviv (2 Night – Israel, 2010)

Israeli film makers like playing with confined spaces. A couple of years ago first-time director Samuel Maoz was skillfully confining in Lebanon the drama of young men caught up in the cruelness and absurdity of the war as they participate in and watch the fight and fear for their lives and dreams from within a tank. Now another first-time director Roi Werner has the two heroes of his film watch the Big City (Tel Aviv may not be that impressive in numbers but it is for Israel the closest Israelis can get to the big cosmopolitan metropolis of the world) from within a car wandering endlessly at night in search of a parking spot. Israelis will confirm that it is not that unrealistic at all to have a full relationship develop and break while looking for a parking spot in Tel Aviv.

 

source http://www.edb.co.il/title/t0027452/

 

The name of the film has a double sense – it can mean ‘two people in the night’ and it can mean ‘2 o’clock’ the hour when things start happening in the film. In  Woody Allen‘s wonderful Midnight in Paris magic happens after midnight. This is not the case with Tel Aviv, if magic had happened the two heroes who met in a disco bar would have found a parking place and consumed their one night stand without letting the story happen and us see them wondering through a desert and rather ugly space of a few blocks in the center of the city. The whole world of the film is the way the relation develops between the young woman who plays the un-inhibited but does not really seem to be able to avoid the greatest fear of all – becoming emotionally involved – and the young man who seems to be the dullest man a woman has ever met, but gives the feeling that he hides a secret in his soul and not only in the trunk of his car.  This could be a pure sexual relation, and the two characters do not even have names in the film, or are interested about each other names, in the good tradition started by Last Tango in Paris.  There is almost no sex in this film, just a lot of talk about sex, and the feeling is that if they would have done it the story and the film would have had no reason to be. The making and breaking of the relation between the two is the thing.

 

(video source werneroi)

 

Such films rely to a large extent on actors, and the two two young actors do a fine job. Keren Berger is at her best, the typical Israeli Girl (or one of the types), lovely, verbose, fragile – it’s hard not to like her character. Yaron Brovinsky who also participated in the writing of the script together with the director is the Guy, his character is apparently harder to crack, but the revelation towards the final of the movie will throw him in a different light (which makes sense completely).  A few well known Israeli actors (Keren Mor, Dir Benedek) among them support the film with short appearances. They are the characters that may be making of Tel Aviv a different city than the dull landscape that is only a background here, but this would be a different type of fabric than the two-characters anti-romantic story that makes this agreeable movie.

 

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Happy 5773!

source http://www.stratfordcollege.ie/blog/post/rosh/

 

5773 years ago the world was created (and it will not end when the Mayans stop counting!). In the tradition of The Catcher in the Sand here are some of the best pieces of music and humor created around or about the holiday that I found recently on the Internet. Enjoy!

 

(video source Technion)

 

First comes a dance of the robots created by students and researchers at the Technion in Haifa.

 

(video source einpratfountainheads)

 

The Fountainheads in Ein Prat launched a new parody dedicated to the New Year.

 

(video source Maccabeats Videos)

 

The Maccabeats sent their holiday card

 

(video source aslevin)

 

The cantor Shmuel Levin performs “B’rosh Hashanna Yikatevun” by Eli Yaffe, recorded live on September 6th 2012 at the Adath Israel Congregation, Montreal

 

(video source shalomsesame)

 

The Muppets also celebrate Rosh Hashannah…

 

(video source Aish.fr)

 

… and so do rockers and rappers – here is Aish.fr in reggae style.

 

http://www.youtube.com/watch?v=6yuwWTttKGQ

(video source Thewhatsupband)

 

Here is arguably The World’s Greatest Jewish Rock Band; The Shlomones are back with their classic parody “Blow Shofar”.

 

To all my friends and readers of The Catcher in the Sand – A Good Year, a year of peace, good health, joy and happy events.

Shana Tova!

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Allergies in Times of War (Film: Gruber’s Journey – Radu Gabrea, 2008)

In director Radu Gabrea‘s Gruber’s Journey the Romanian cinema gets it’s first film seriously approaching the painful theme of the episodes of the Holocaust that took place in Romania between 1940 when the dictator Ion Antonescu took power (in collaboration for the first four and a half months of his regime with the extreme nationalistic Iron Guard movement) until August 1944 when the king deposed Antonescu and made Romania join the Allied for the last period of the war. One of the bloodiest episodes of this period was the pogrom and massacre of more than 13,000 Jews in the Eastern Romania town of Iasi (Yashi, Jassy) in the first days of the war. For many years the Romanian history books ignored or minimized the events, but the truth became more and more evident in the last ten years, despite efforts of Holocaust deniers who still try to hide the responsibility of the Romanian authorities of those times.

 

source http://www.artactmagazine.ro/calatoria_lui_gruber.html

 

A veteran of Romania cinema, Radu Gabrea is not at his first film dealing with sensitive events in the Romanian history. In The Beheaded Rooster (Cocosul decapitat) he described the same period but looked at the events from the perspective of the German population in Romania, part of which collaborated with the Nazis. I did not like that movie but appreciated the courage in dealing with the subject. In Gruber’s Journey Gabrea relies on very solid premises, using the memories of the Italian writer Curzio Malaparte who as a war correspondent visited the city soon after the events and mentioned them in his novel Kapput.

 

(video source igu)

 

The story in the film describes Malaparte’s arrival in the city in the first days after Romania entered the war as an ally of Nazi Germany, in June 1941. The war has started, but what bothers Malaparte is a terrible allergy that can be cured by a specialist residing in Iasi. That doctor is not easy to find however, chaos reigns, people cannot be found where they are supposed to be,  the Balkan mentality of corruption and disorder seems to be only amplified by the war, and above all the doctor happens to be a Jew. Something terrible seems to have happened to the Jews in this city, but nobody speaks open about this or when they do double-speak hides the facts, the army and the police throw responsibility one on the other. The military commander of the region will be suspended, but not for the loss of the lives of the Jews (he actually is congratulated by dictator Antonescu for the efficient handling of the events) but for allowing its soldiers to rampage through the domain of a count and destroy his wine cellar. The film which starts in a comical register where the innocent Italian writer meets the eternal Romania of playwright Caragiale’s heroes, turns into a dramatic confrontation with the horrors of crimes of war.

 

archive photo, source http://ro.wikipedia.org/

 

The team of actors does an excellent job, starting with Florin Piersic Jr. as Malaparte despite the fact that he is or looks just too young for the role, Malaparte was 42 by the time of the events described in the film. Marcel Iures has a short but memorable presence on screen as Gruber, while Claudiu Bleont and Razvan Vasilescu play the chiefs of the army and of the local prosecution office in the greatest and best tradition of Caragiale.

While the international breakthrough of the Romanian cinema was due mainly to films describing the period of ‘transition’ after the fall of the Communism, the re-evaluation of the past was never out of the interest of Romanian film makers. The exception was the Holocaust period, and this is the first good and courageous film on this subject. Hopefully other will follow.

 

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The Two Shores of the Danube

We spent four days during our vacation in the Iron Gates area. Two of the days were spent on driving tours on the Romanian and Serbian shores of the river. Here are a few impressions and photographs taken in these areas.

 

 

Our lodging place was the Steaua Dunarii (Danube Star) pension after Eselnita, on the shore of the Danube, about ten kilometers up the river from Orsova. The place is open since 2001, and is one of maybe ten or twenty such places in an area that could accomodate much more. The sitting is beautiful and we enjoyed unforgettable evenings on the balcony to the Danube, we admired the sunset and the sunrise over the river, and silence of the place. The restaurant is decent but not more, and boat trips on the Danube are offered at extra-cost.

 

 

 

 

The road on the Romanian shore spreads on more than 100 kilometers between Eselnita and Bazias, crossing the Moldova Noua area. The river bends and creates a chain of very picturesque gulfs. The water is calm and deep in an area of gorges which was once fast and dangerous, this is the result of the Iron Gates dam project built in the 60s and 70s by the Romania and former Yugoslavia. It’s an area of huge touristic potential which could rival with the lakes in Germany or North Italy or with the Balaton lake in Hungary. Unfortunately it is very little known, too little investment in hotels and tourist attraction was made, and the roads … oh, the roads … on the Romanian side the first 20-30 kilometers of shore road West of Eselnita are in the worst possible condition.

 

 

As in other places in Romania we could see on the side of the road abandoned industrial structures, the ruins of what the Communist propaganda called ‘the golden age’, remains of the process of forced industrialization of Romania during the Communist rule. Many of these industries had no real economic reason and could not resist the open market conditions after the fall of the Communism.

 

 

We also had that day our first experience of ‘eating Serbian’ on the beautiful terrace of a restaurant located in a villa in the hills near Moldova Noua. More about our culinary experiences during the trip in a future episode.

 

 

The landscape on the Serbian side where we crossed in another day is even more spectacular. The road on that side of the border is in excellent condition, it gets higher in some places which allows for spectacular views and photo opportunities. Places to sit, eat, rest, enjoy the landscape by road are much more frequent. I am sorry to say but the Serbian shore drive felt much more ‘European’ than the one of the Romanian side.

 

 

 

 

On the other hand there is very little development on this side as well. Actually the road between the crossing border point at the Iron Gates dam to Belgrade is scarcely populated, there are no more than three villages on the 50-60 kilometers we traveled near the river. Two points of interest are however very much worth a stop. One is the archeology museum that gathers the findings at Lepenski Vir site, a settlement that was covered by waters when the dam was built. The Yugoslavs created this museum in a spectacular structure near the Danube, and the remains of the civilization that was active between 5300 and 4800 BC where such preserved.

 

 

 

The other objective are the ruins of the Golubac fortress located in a strategic place on a bend of the Danube. First documented mention dates from the Middle Ages, mid 14th century, and successively the Romanian Transylvanians, Serbs, Hungarians, Turks and Austrians conquered and controlled the place. Today the highway passes under two of the porches of the fortress, the place is easily accessible and the visit is free of charge.

 

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Mayan Horror (The Ruins – Carter Smith, 2008)

I wonder if director Carter Smith and other folks involved in the making of The Ruins have seen Tarkovsky‘s Solaris. I like to believe that it’s mandatory stuff in any school of cinema but I cannot know. I am asking the question because ‘The Ruins’ is based on a very Solaris-like idea – a monstrous Thing that is alive and mimics the behavior of the human beings it comes in contact with. Here we have a horror story, so the Thing is replicating sounds before penetrating the bodies and destroying the humans from inside. We never learn why, did it feel threatened? did the four young American trespass some sacred borders? but it does not matter too much, the fact that we are in Maya country must be enough for an explanation.

 

source http://www.imdb.com/title/tt0963794/

 

The movie was made in the period after the Blair Witch Project conquered screens and captivated audiences (and their dollars) with the adventures of teens in a tent in an hostile environment. Suddenly everybody was making films with the same story structure, putting much more money in them, relocating in exotic places and providing variation on the theme of the monsters. This is another one of these and it does not succeed as most other failed also to generate the thrill of the first time Blair film (which incidentally I see it has dropped to a 6.3 grade in the IMDB rating).

 

(video source MoviesView)

 

Carter Smith does a reasonable job directing a team of young actors who start by looking like vacationers, then like participants in a ‘Survivor’ show and eventually assume the role of minced meed in the wheels of the horror show. The film has its good moments (a few) and its ridiculous moments (more of these) and overall will be enjoyed mostly by the aficionados of the genre. The rest of us looking for some quality will remember just the few gems. These who remind Solaris.

 

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Theater – ‘Ministers of War’ at Habima

Playwrights do not have an easy task writing about the Israeli contemporary realities. How strong and impressive you can be writing a tragedy about the Israel of today when thousands of people in the land called Holy have lost their lives or seen their destinies destroyed by wars and the conflict between Jews and Palestinians that seems to never end. What credible dramas can be written when every newsflash in Israel brings several dramas with social or human background that exceed whatever was ever written for stage or in books? How political satire can work when the daily reality brings under the lights of the political stage characters that seem to exceed in behavior, corruption, absurdity the sharpest imagination a satirical writer can have. Never and nowhere the saying that reality exceeds fiction seems to have applied better than in Israel Today (capitals intentional).

 

source http://www.nrg.co.il/online/47/ART2/383/581.html

 

Yet, the Israeli audiences love satire. The satirical shows are on the top of the TV and audio ratings. Last night the audience at Habima in Tel Aviv filled a hall with a capacity of about one thousand people, near me sat a pair of what looked like elder kibutznikim, in the row in front of a bunch of young religious people, the whole hall was a mosaic of people who came to laugh about ourselves in a play that could have been the subject of a tragedy as well as of a wild comedy. Israel is under attack from North, South and West. The war is ravaging the country taken by surprise, and the prime-minister and the members of an inept government seem busier with saving their own skins and personal real estate assets, dealing with political intrigues, and most of all, covering themselves for the inquire commission that follows inevitably all the wars of Israel since the Six Days War.

 

(video source israelnews)

 

While the text written by popular entertainer and radio show host Shay Goldstein provides many moments of good comedy, the opportunity of asking any more serious questions – to the politicians, to ourselves – is missed. The performance at Habima is a good comedy show but a very superficial satire, which says nothing new or different of what was said in shows like A Wonderful Country (Eretz Neederet) on TV or Shay and Dror on the radio. Moti Kirshenbaum is an experienced TV producer and host, and does a good job in directing a team of actors which has the popular comedy actor Eli Yatzpan (as the prime-minister) in the center. However, the result is not much different than a ‘Yatzpan show’ and the good feeling results from remembering the laughs and the fact that for an hour and a half the reality on the stage seemed to be more dangerous and absurd than the reality in our lives.

 

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On the Transalpina Road

 

 

I am bringing in this episode of my travel notes a few pictures taken on the spectacular alpine highway Transalpina which we crossed in the last day of our motor trip. The road crosses the  Parang mountains and allowing for a scenic drive from the city of Sebes in the North to the resort of Ranca south of the mountains. The map is available at

http://www.transalpina.biz/harta.html

The road competes with the Transfagarasan alpine road which is located about 100 km East for the title of the most beautiful alpine road in Romania. Its origins are said be traced back to the 4th century BC, this being one of the roads used by the Roman legions to reach the defense posts in the Northern area of the Empire.  Used for the many centuries to come only by shepherds crossing the mountains with their sheep. It was only during the First World War that the German army built a stone road, then when both sides of the Carpathians became part of Romania it was modernized during the 1930s (the reign of king Carol the 2nd). During the last few years it was asphalted and is in very good shape, yet it is not yet officially open as the sides of the road are not all in place. It is safe to look on the Internet Web site for the state of the road and for the weather forecast before planing a trip

 

 

 

 

We crossed it from North (the lake at Obarsia Lotrului) to South (the resort of Ranca). After climbing on the alpine plateau the landscape becomes spectacular, endless rows of mountains, and the road that at some points seems to climb to the sky. We have visited alpine roads in Austria and Switzerland and we can witness that the Transalpina proudly competes with them. The Internet side quotes 2145 as the highest point on the road, although the GPS on our car claimed that we reached 2170m at some point.

 

 

 

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Friday Night Live (Film: Date Night – Tina Fey, 2010)

Shawn Levy directed a remake of the Pink Panter as well as a couple of Nights at the Museum, so having a good laugh is something that we should almost take for granted when going to a movie made by him. There are some good comic scenes in Date Night, which succeeds to develop from a romantic family comedy to a crazy gangster movie with a welcome dose of natural and good feeling.

 

source http://www.imdb.com/title/tt1279935/

 

The Fosters are Tina Fey and Steve Carell, they are a couple of nice people like everybody else, living in the Manhattan suburb which is also known as the state of New Jersey like everybody else, doing reasonably good economically like everybody else, with noisy kids like everybody else, going through the teens marriage years crisis like everybody else. They plan to go a night our in the city like everybody else but then they steal somebody else’s table in a restaurant, they are confused with another couple who made some very bad guys angry, and their date night will become something else than they have ever lived through.

 

(video source FoxMovies)

 

Two days after I have seen the film I do not remember much of the action, and I certainly will remember even less in a month. I think that I will remember why I liked the film and I entered the good feeling mood – it was not necessarily because of the laughs which were far from my hysteria level, but because of the likeable characters created by Steve Carell and especially by Tina Fey. I knew that nothing really bad can happen to them in such a movie despite the whole Manhattan going wild and crazy around them and police and gangsters trying to kill them every minute at every step. Yet, I cared for them, I shared their like-everybody-else wishes and fears, and they looked to me like familiar neighbors by the time this reasonable Friday night comedy was over.

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