Tag Archives: Japanese cinema

points of view (film: Monster – Hirokazu Koreeda, 2023)

There are no monsters in ‘Monster‘, Hirokazu Koreeda‘s latest film and the first shot in Japan after a five-year absence and two films made in France and Korea that I personally liked, but many other cinema fans liked less. It … Continue reading

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identity games (film: Aru otoko /A Man – Kei Ishikawa, 2022)

‘A Man‘ (original title is ‘Aru otoko‘), the 2022 film directed by Kei Ishikawa, is a Japanese film with an European flavor. It is a detective mystery with many twists and turns, which demands the permanent attention of the viewers … Continue reading

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shattering movie about life, age and death (film: Plan 75 – Chie Hayakawa, 2022)

‘Plan 75‘, the feature debut of Japanese filmmaker Chie Hayakawa, which premiered at the 2022 Cannes Film Festival, is an imperfect and shattering movie, one of those films whose idea and theme will follow viewers long after they have finished … Continue reading

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Apocalypse, then! (film: Kuroi ame / Black Rain – Shôhei Imamura, 1989)

I happen to have seen and written about a number of end-of-the-world and post-apocalyptic movies lately. Most of them were dystopias and/or special effects films that depicted the possible ends of the world as we know it and what would … Continue reading

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love, pain and Chekhov (film: Drive My Car – Ryûsuke Hamaguchi, 2021)

‘Drive my Car’ by Japanese director Ryusuke Hamaguchi is a complex and elegiac film about love and mourning, about art as a means of relieving personal trauma, about responsibility and about the persistence of pain. Well-written and fine acted, it … Continue reading

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two mothers on an island (film: After the Sunset – Michio Koshikawa, 2019)

‘After the Sunset‘ (in Japanese ‘Yuhi No Ato‘) directed in 2019 by Michio Koshikawa offers a sincere and direct cinematic experience, which managed to capture my attention and make me feel the emotions and sympathise with the problems of the … Continue reading

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in the footsteps of Ozu (film: Still Walking – Hirokazu Koreeda, 2008)

Coincidentally, I viewed ‘Still Walking‘, Hirokazu Koreeda‘s 2008 film the day after viewing ‘Tokyo Story‘, Yasujirô Ozu‘s masterpiece. The two films are made 55 years apart, but they are very close in terms of dealing with the relationships between generations, … Continue reading

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parents and children (film: Tokyo Story – Yasujirô Ozu, 1953)

Yasujirô Ozu‘s ‘Tokyo Story‘ was made in 1953, the year of my birth. 67 years have passed since then, the film is the same age as me. It addresses a recurring theme of Ozu‘s creation – the disintegration of the … Continue reading

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a not so traditional family (Film: Shoplifters – Hirokazu Koreeda, 2018)

‘Shoplifters‘ by Japanese director Hirokazu Koreeda confuses its audiences for much of the length of the film. For about three quarters of the duration of the screening, it looks like we are dealing with a family drama that takes place … Continue reading

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fatherhood pains (Film: Like Father, Like Son / Soshite chichi ni naru – Hirokazu Koreeda, 2013)

What happens to the two families in director Hirokazu Koreeda‘s film ‘Like Father, Like Son‘ (the original Japanese title is ‘Soshite chichi ni naru’) is one of the nightmares of any couple of parents. Six years after the birth of … Continue reading

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