Tag Archives: American cinema

in real time (film: Boyhood – Richard Linklater, 2014)

One of the main themes of the films written (sometimes in collaboration with his actors) and directed by Richard Linklater is time. The relationship between real time and cinematic time is also one of the main problems that filmmakers face. … Continue reading →

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the fall from an imaginary paradise (film: Legends of the Fall – Edward Zwick, 1994)

On the occasion of watching ‘Legends of the Fall‘ (1994) directed by Edward Zwick, I found out an interesting piece of trivia related to the title of the film. ‘Fall’ in the title refers to the fall from Paradise. However … Continue reading →

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2022 as seen from 1973 (film: Soylent Green – Richard Fleischer, 1973)

There are several good reasons why Richard Fleischer‘s ‘Soylent Green‘ (1973) deserves to be seen in 2023. Fleischer had made three years earlier together with two Japanese directors the film that would remain the biggest success of his career – … Continue reading →

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entertainment of crime (film: Life of Crime – Daniel Schechter, 2013)

‘Life of crime‘, the 2013 film by director and screenwriter Daniel Schechter is an adaptation of a novel by Elmore Leonard, a kind of prequel with the main heroes being the two crooks who also appear as the lead characters … Continue reading →

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on men and dogs (film: DogMan – Luc Besson, 2023)

‘DogMan‘, Luc Besson‘s first film after four years of silence, is one of those films that polarizes viewers in fans and haters from the start, and not necessarily because of the film itself but also or especially because of the … Continue reading →

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in the shade of Philip Marlowe (film: Manhattan Night – Brian DeCubellis, 2016)

I liked how ‘Manhattan Night‘, the 2016 film by director Brian DeCubellis, begins. We are in a dark, cold and violent New York, and the main character is one of those who bring the public news about the crimes in … Continue reading →

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a milestone in the history of the western genre (film: The Wild Bunch – Sam Peckinpah, 1969)

The scene that opens Sam Peckinpah‘s 1969 ‘The Wild Bunch‘ immediately reminds fans of the western genre of John Sturges’ ‘The Magnificent Seven’ made in 1960. A group of riders enter a small town in the Wild West (rather the … Continue reading →

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iron lady (film: Miss Sloane – John Madden, 2016)

Film director John Madden has made some of my favorite films in the romantic genre, but for the past few years he seems more interested in thrillers in their various forms. The turning point seems to have been ‘Miss Sloane‘, … Continue reading →

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the destroyer of worlds (film: Oppenheimer – Christopher Nolan, 2023)

It’s only the middle of summer and we are almost half a year before the Academy nominations, but I think we already have one of the serious contenders for collecting many of the 2024 awards in Christopher Nolan‘s ‘Oppenheimer‘. It’s … Continue reading →

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La Vie en Rose (film: Barbie – Greta Gerwig, 2023)

I’m not one of those people who feel the need to apologize for watching ‘Barbie‘. In my opinion there are no bad movie genres, there are only good movies and bad movies. And the cinema is also popular entertainment, and … Continue reading →

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