Category Archives: movies

verbose and predictable (Film: Late Night – Emma Thompson, 2019)

Posted on August 10, 2019 by admin

Night time TV shows are an American invention, brought to the level of art by the likes of Ed Sullivan, Johnny Carson, Jay Leno, David Letterman. This is also a very masculine world, there almost were no presenters of such … Continue reading →

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wars of the classes (Film: Parasite – Joon-ho Bong, 2019)

Posted on August 9, 2019 by admin

We’ve only been through the middle of 2019, but I think that I can mark the fact that I experienced the cinema event of the year, or at least one of the important events of the year in movies. This … Continue reading →

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turning the camera on himself (Film: Dolor y gloria – Pedro Almodóvar, 2019)

Posted on August 7, 2019 by admin

‘Dolor y gloria‘ (‘Pain and glory‘) has been described by many viewers and critics as ‘Pedro Almodóvar‘s most personal film’. It is, to me, a slightly strange definition, because all the films of the great directors are to a lesser … Continue reading →

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the fear (Film: ‘HaTzlila’/’The Dive’ – Yona Rozenkier, 2018)

Posted on August 4, 2019 by admin

‘HaTzlila‘ / ‘The Dive‘ is one of those films that has an interesting and significant ‘making of’ history about how the idea was born and how the production was made. Director Yona Rozenkier is at his first film, although he … Continue reading →

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a double soap opera by Geo Saizescu (Film: Iubire elenă – Geo Saizescu, 2012)

Posted on July 28, 2019 by admin

Fans of Romanian cinema and viewers who follow the movies coming from Romania have two good reasons to want to see “Iubire elenă” (“Greek Love”) made in 2012. This was the latest film by Geo Saizescu (1932-2013), a film director … Continue reading →

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one woman, two worlds (Film: Félix & Meira – Maxime Giroux, 2014)

Posted on July 27, 2019 by admin

The theme of the movie ‘Félix & Meira‘ made in 2014 by the Quebecois film director Maxime Giroux may seem unusual to most of the audiences, but it is in fact one of the main themes of Jewish literature and … Continue reading →

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parallel identities (film: Dancing Arabs – Eran Riklis, 2014)

Posted on July 26, 2019 by admin

‘Dancing Arabs‘, the Israeli film made in 2014 by Eran Riklis on a script written by Sayed Kashua adapting his debut novel includes some memorable scenes. One of them, which I do not hesitate to declare brilliant, succeeds in less … Continue reading →

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‘All You Need Is Love’? (Film: Yesterday – Danny Boyle, 2019)

Posted on July 24, 2019 by admin

If they create a category of “best idea for a film” at the Academy Awards, “Yesterday” directed by Danny Boyle would undoubtedly be a formidable competitor this year. The starting point of this movie, which is part of the wave … Continue reading →

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a drama thriller in rural Korea (film: A Girl at My Door / Dohee-ya – July Jung, 2014)

Posted on July 23, 2019 by admin

Many of the Korean films defy categorization or combine cinematic genres. I think one of the viewers who contributed to IMDB has found a very accurate description of this type of amalgam calling it ‘genre twister’. ‘A Girl at My … Continue reading →

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time travel (Film: Midnight Cowboy – John Schlesinger, 1969)

Posted on June 23, 2019 by admin

Cinematographic anniversaries are trendy. Films made 40, 45 or 50 years ago celebrate their birthdays with digital versions of the original films, sometimes even recovering scenes forgotten on assembly or removed by censorship or self-censorship. It is a great opportunity … Continue reading →

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