Tag Archives: Totò

Italian neorealism ends with a big laugh (film: I soliti ignoti – Mario Monicelli, 1958)

‘I soliti ignoti‘, Mario Monicelli‘s 1958 film, can be considered the healthy laugh with which the period of Italian neorealism ends. In fact, Monicelli had directed almost 15 comedies in the decade preceding this film, more than one per year, … Continue reading

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Pasolini’s parabola allegory (film: The Hawks and the Sparrows – Pier Pablo Pasolini, 1966)

Pier Paolo Pasolini‘s ‘The Hawks and the Sparrows‘ (the Italian title is ‘Uccellacci e uccellini‘) is a film that is difficult to decipher. In 1966 the Italian director had not yet produced his most controversial works, but this film already … Continue reading

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