Sometimes, in the middle of the desert, one encounters a green, luxurious, exuberant oasis, full of life and beauty. This is exactly my feeling after having viewed ‘Victoria‘ in this summer cinematographic season which seems drier and duller and dummer than any other that I remember. After so many brainless action movies, and huge stars playing flat roles in boring comedies, here comes a film which is a wonderful combination of action and human feelings, of wonderful acting and cinematographic excellencies. Some of the reviews that I have read use the word ‘masterpiece’. This is far from being an exaggeration.
‘Victoria‘, co-written and director by Sebastian Schipper who is better known as an actor, takes places in real-time, late at night and early in the morning, in Berlin, the German capital, in 2015. The feeling of reality is brightly transmitted to viewers by making the film with one shot, more than two hours of cinema filmed with hand-held camera, all the time close to the heroes of the film. Their lives change forever during these 140 minutes. It visibly took a huge effort to prepare the whole filming which takes us in different places, streets, shops, night clubs, building and roofs in Berlin. The result is spectacular.
(video source Madman Films)
The heroes are a young Spanish girl, ex-musician, living in the cosmopolitan capital of Germany without speaking German who meets a group of fringe youth from East Berlin. As the action develops the characters will know each other, will fall in love, will get into trouble, and their destinies will change. Acting is also superb, with the Spanish actress Laia Costa in the lead role, and the German actors Frederick Lau and Franz Rogowski. Far from being just a gimmick, the technical achievement of this film is fully justified and fits well the story and the action. Berlin at the hours of deep night and uncertain dawn looks more interesting than I have ever seen it since ‘Der Himmel über Berlin‘. This is German cinema at its best.