I very rarely re-watch movies. I made an exception today, watching again after almost half a century ‘Picnic at Hanging Rock‘, the 1975 film directed by the Australian Peter Weir, about a decade before he began an international career that would bring him some notable successes. It was probably the first Australian film I saw in my life. It was at an Australian film festival, a rather rare event in Romania in those years. I had been very impressed then and on re-viewing I understood why. ‘Picnic at Hanging Rock‘ is a magical and powerful film, both visually and musically impressive. Some movies are said to ‘age beautifully’. In the case of Peter Weir‘s film, it’s more than that. It is a timeless creation.
‘Picnic at Hanging Rock‘ is inspired by a novel that relates events that may have taken place in reality. In 1900, on Valentine’s Day, which in the southern hemisphere is celebrated in the middle of summer, the students of a girls’ boarding school go on a trip to the Hanging Rock area – one of those rock formations that break the monotony of the endless Australian desert. The ‘mountain’, as it is called by the locals, has a magical reputation. Perhaps it is about magnetic phenomena, certainly about legends related to the original inhabitants of the continent, not seen in this film. Three of the girls and a teacher go exploring the cliffs and disappear without a trace. The whole community – the school, the police, experts of all kinds – look for them and the case becomes famous throughout Australia. One of the girls is found alive a few days later, but is in complete shock and has no memory of what happened on the day of her disappearance. Nothing is known about the fate of the others to this day. Will this mystery ever be solved?
We can look at ‘Picnic at Hanging Rock‘ as a combination of a period film and a thriller and the film works well from that point of view as well. Viewers will quickly realize, however, that this is not what the filmmakers seem to have been primarily interested in. Peter Weir builds an atmosphere of mystery wrapped in magic, using the cinematography designed by Russell Boyd in the style of Jean Renoir’s paintings and the pipe music played by Gheorghe Zamfir. The first scenes introduce us to the world of teenage boarding school students, who are preparing for the trip. A secondary plot describes the conflict between the headmistress of the boarding school and one of the students, with a more rebellious character, the only one who is forbidden to participate in the trip. Victorian discipline seems to be reinforced by women’s heavy clothing. It is a social commentary specific to the literature of the Victorian period (Dickens, Thomas Hardy, Charlotte Brontë, etc.) but also a political one. The way the characters dress does not harmonize at all with the climate of the continent, and the institutions imported from the capital of the empire do not resist the confrontation with a mystery that seems to have its solution beyond the accepted logic. Behind the appearances created by corsets and well-kept hairdos, the characters are fragile and hide dramas they are not allowed to share. Or suppressed dramas often end in tragedy. ‘Picnic at Hanging Rock‘ is a beautiful, sensitive, poetical, disturbing film. Today’s spectators will not escape the magic of the Mountain.